PLATE V. 



Fig. 1 represents the anatomical peculiarities of the deeply 

 impassioned nature as seen in Charlotte Bronte. Her eyebrows 

 were strongly marked although not depicted here. We must 

 remember that artists give a partially forward inclination to 

 unusually erect heads in order to avoid "stiffness of bearing," arid 

 lift heads that have a natural downward poise. Photographers 

 strive but less successfully to gain similar effects. The impas- 

 sioned (though not passion-approving) and contemplative Goethe, 

 by the way, was said to " carry himself stiffly." 



Fig. 2 represents the (temperamental) anatomical peculiarities 

 of Queen Elizabeth who, while characterised by most laudable pro- 

 clivities and immense capabilities, certainly had no deep feeling. 

 Her hair-growth was slight, she wore a wig, and she possessed no 

 eyebrows at all. The figures in these illustrations, Elizabeth's 

 included, are those of mature years except Fig. 3 of Plate IV. ; the 

 incipience of early life and the exaggeration of old age being alike 

 avoided. 



Fig. 3 represents diagrammatically an eminent lady novelist 

 whose heroines evince a stronger bias for loving a man than scolding 

 him. 



Fig. 4 represents diagrammatically an eminent lady novelist, 

 whose most noted heroine displays a greater capacity for scolding 

 men than for loving them. 



