APPENDIX. 927 



CLASS THE 2ND. 



8. Reproduction of chalk drawing In the park at Plombieres, Vosges, 



after Allonge. (Salvon, 1875.) 



9. of chalk drawing Rocks and lake, after Appian. 



10. from nature Church of St. Augustin, Paris. 



11. Opera-house, Paris. 



12. Notre Dame, Paris. 



13. of chalk drawing Borders of the Lake of Arandou, 



after Appian. 



14. of chalk drawing Borders of a pond, after Allonge. 



CLASS THE SED. 



15. Reproduction of terra-cotta Marguerite with the jewels, after 



Carrier-Bellenze. 



16. of oil painting The imprisoned loves, after Chaplin. 

 17.- from nature Study of foreground, stereotyped on 



paper of Mr. H. Le Secq. 



18 from nature Cathedral of Rheims, stereotyped on 



paper of Mr. H. Le Secq. 



19. of chalk drawing The Bois de Boulogne, after 



Lalanne. 



20. from nature Cathedral of Rheims, stereotyped on 



paper of Mr. Le Secq. 



21. from nature Study of foreground, stereotyped on 



paper of Mr. Le Secq. 



22. of oil painting The death of Asala. 



23. of drawing Head of Christ, after Lazergues. 



CLASS THE 4TH. 



24. Reproduction of oil painting Diana's toilet, after Devedeux. (Imi- 



tation of photography with salts of silver.) 



25. from nature A hawk ; still life. (Imitation of photo - 



graphy with salts of silver.) 



26. from nature Sevres vases. (Imitation of photography 



with salts of silver.) 



27. from nature Naumachy in the Park Monceaux. (Imi- 



tation of photography with salts of silver.) 



28. of chalk drawing The borders of the Yeres, after 



Allonge. 



29. from nature The bridge of Solferino, Paris. (Imita- 



tion of photography with salts of silver.) 



30. from nature Sdvres vases. ( Imitation of photography 



with salts of silver.) 



31. of a print Musings, after de Moussy. 



32. of terra-cotta The Mountebank's, after Deca. 



983c. Magic Mirror. Robert von Tarnoiv. 



This mirror is a curiosity, and consists of a brass concave disc with finely 

 polished surface. At the reverse rough side there are several Arabic charac- 

 ters in relief. By exposing the polished surface to the rays of the sun in such 

 a way that they reflect them on the wall, the Arabic figures of the reverse 

 side of the disc become plainly visible in the reflected light on the wall. 



996a. Drawings of Bull's Patent Semi-continuous 

 Brick Kilns. Hermann Wedekind. 



