as in pidurefque compofition) to be more 

 attentive to the fmifhing of parts, than to 

 the production of a whole. Whereas the 

 matter's great care fhould be, firft to contrive 

 a whole ; and then to adapt the parts, as 

 artificially as he can. I fpeak of imaginary 

 landfcape : when he paints a particular view, 

 his management muft be juft the reverfe. 

 He has the parts given him ; and he muft 

 form them into a whole, as he can : and this 

 is often difficult. 



Nothing however tends fo much to pro- 

 duce a whole, as a proper diftribution of 

 light, and fhade - y which we beft obtain, 

 when we prefent a landfcape under one of 

 thefe grand effects of nature. A common 



fun-mine furnifhes lights not majjes. It 



may throw a beautiful illumination on par- 

 ticular objects ; but the grand effetts of nature 

 furnim the only opportunities of fprming the 

 maj/es of each. 



What gives the mod grandeur to thefe 

 effects is a predominancy of Jhade -, which has 

 always more dignified ideas annexed to it, 

 than a predominancy of light. And yet how 

 little is this obferved ? In the generality of 

 pi&ures, and prints, you fee the balance on 

 S 3 the 



