ARTISTIC PITHWORK. 277 



this way a line of pith should mark out all the 

 edges of the model. If there are panels in the 

 pattern of the stem or arms, then the pith should 

 be used as a moulding to keep each design dis- 

 tinct, and within the panels the smaller-sized pieces 

 of pith are used to imitate arabesques or figures 

 according to the pattern, the pointed stick being 

 used to twist and place the material. 



These are all the directions needed for a cross of 

 simple style, like those to be found in Cornwall. 

 The more elaborate Irish crosses with figures in 

 relief may perhaps be rudely imitated in rush pith, 

 but when delicate work is needed, elder pith cut 

 with a sharp penknife would be required to make 

 an accurate copy. 



The work must be allowed to become perfectly 



* 



dry, and whilst drying it should be protected from 

 dust settling upon it. 



Finally, the model should have a glass shade 

 and will then last for years, and have the effect 

 of carved ivory. 



