16 



laze, Over-gla/e Other Processes : Crackling, .Mottled, Flashing, Metallic Iridescence, 

 Lustres. Chapter II., Glazed and Enamelled Bricks History : Glazing Enamelling Appli- 

 cations: Ordinary Enamelled Bricks, Glazed Stoneware, Enamelled Stoneware Enamelled 

 Tiles. Chapter III., Decorated Quarries: I. Paving Quarries 1, Decorated with Dips 2, 

 Stoneware: .-I, Fired to Stoneware: a, of Slag Base Applications; b, of Melting Clay 

 Applications B, Plain or Incrusted Stoneware; a, of Special Clay (Stoke-on-Trent) Manu- 

 facture Application b, of Felspar Base Colouring, Manufacture, Moulding, Drying, Firing 

 Applications. II. Facing Quarries 1, in Faience A, of Limestone Paste B, of Silicious 

 Paste C, of Felspar Paste Manufacture, Firing '2, of Glazed Stoneware 3, of Porcelain 

 Applications of Facing Quarries. -III. Stove Quarries Preparation of the Pastes, Moulding, 

 Firing, Enamelling, Decoration Applications Faiences for Fireplaces. Chapter IV., Archi- 

 tectural Decorated Pottery: 1, Faiences: S 2, Stoneware; 3, Porcelain. Chapter V., 

 Sanitary Pottery: Stoneware Pipes : Manufacture, Firing Applications Sinks Applications 

 Urinals, Seats and Pans Applications Drinking-fountains, Washstands. Index. 



Press Opinions. 



"The work is profusely illustrated, and contains a large amount of useful information, and 

 should be of great value to manufacturers." Burton Chronicle. 



"Should have a huge sale amongst those interested in enamelled terra cottas, ordinary and 

 incrusted quarries, stoneware mosaics, faiences, and architectural stoneware." Newark 

 A dvertisei'. 



"The fame of M. Lefevre's monumental work has already reached this country, and the 

 capable translation now produced will be cordially welcomed. Apart from its technical 

 value, the incitement which the work will give to architectural pottery is a factor that should 

 not be ignored. . . . The chief value of the work is that all modern processes advocated are 

 not only clearly explained, but are shown to have .justified themselves. In other words, they 

 represent the survival of the fittest." Manchester ( tntricr. 



THE ART OF RIVETING GLASS, CHINA AND 

 EARTHENWARE. By J. HOWARTH. Second Edition. 

 1900. Price Is. net; by post, home or abroad, Is. 2d. 



Contents. 



Tools and Materials Required Wire Used for Rivets Soldering Solution Preparation 

 for Drilling Commencement of Drilling Cementing Preliminaries to Riveting Rivets to 

 Make To Fix the Rivets Through-and-through Rivets Soldering Tinning a Soldering-iron 

 Perforated Plates, Handles, etc. Handles of Ewers, etc. Vases and Comports Marble 

 and Alabaster Ware Decorating How to Loosen Fast Decanter Stoppers China Cements. 



PAINTING ON GLASS AND PORCELAIN AND 

 ENAMEL PAINTING. A Complete Introduction to the 



Preparation of all the Colours and Fluxes used for Painting on Porce- 

 lain, Enamel, Faience and Stoneware, the Coloured Pastes and Col- 

 o:ired Glasses, together with a Minute Description of the Firing of 

 Colours and Enamels. On the Basis of Personal Practical Experience 

 of the Condition of the Art up to Date. By FELIX HERMANN, Technical 

 Chemist. With Eighteen Illustrations. 300 pp. Translated from the 

 German. Second and Enlarged Edition. 1897. Price 10s. 6d. ; India 

 and Colonies, 11s.; Other Countries, 12s.; strictly net, post free. 



Contents. 



History of Glass Painting. Chapters I., The Articles to be Painted : Glass, Porcelain, 

 Enamel, Stoneware, Faience. II., Pigments: 1, Metallic Pigments: Antimony Oxide, Naples 

 Yellow, Barium Chromate. Lead Chromate, Silver Chloride, Chromic Oxide. III., Fluxes: 

 Fluxes. Felspar, Quartz, Purifying Quartz, Sedimentation, Quenching, Borax, Boracic Acid, 

 Potassium and Sodium Carbonates, Rocaille Flux. IV., Preparation of the Colours for Glass 

 Painting. V., The Colour Pastes. VI., The Coloured Glasses. VII., Composition of the 

 Porcelain Colours. VIII., The Enamel Colours: Hnamels for Artistic Work. IX., Metallic 

 Ornamentation: Porcelain Gilding, Glass Gilding. X., Firing the Colours: 1, Remarks on 



Firing: Firing Colours on Glass, Firing Colours on Porcelain: 2, The Muffle. XI., Accidents 

 occasionally Supervening during the 'Process of Firing. XII., Remarks on the Different 

 ' s Paintings. 



[See next Page 



, 



occasionally Supervening during the 'Process of Firing. 

 Methods of Painting on' Glass, Porcelain, etc. Appendix : Cleaning Old Glass Paintings. 



[See next Page 



