



: tt ? What o'clock (li; .1 tho clock) 



n a part or tho whole of tho hut quarter of an hour M 



lonignated, as in English, by in diatonce from the 



'itg, aa : 



' a4t, oter jcb,n OTi- It lacka fire, eight, or ten 

 nuten !'iJ (/ -mi . minutes to tw. 



ff fe^It ciii 'iHcrtel bi ywlf. -ka a quarter to twelve. 



M a lui!f-l'.our i nunidl, it in not measured, aa in Englinh, 

 he preceding hour, but from the one that follow- 



tho cone with any part or the whole of 

 .:! though it may, aa in English, bo referred to 



tlio li ing, aa : 



Itps half (towards twelve) past 



eleven. 

 It is ten minutes (towards 



twelve) past eleven. 

 It is a quarter (towards twelve) 



past eleven. 



It is ten minutes past one. 

 It is a quarter past one. 



<S ifl Jjalb* 



(5* ifl jeftn 'JHinuten 



(S ifl eiu 'I'icrtcl auf jmolf. 



(5? ifl jcbn i'limitcn n.irf) fin?. 

 (5 ifl ein 'J'icrtct na4 ein. 



10. Tho prepositions bei, nadji, mit, von, ju, etc. ( 111) govern 

 no case but the dative, while an, auf, in, untcr, etc. ( 115) govern 

 the dative only when used with a verb of rest, or of motion, 

 within specified limits, as : 



Ter SRann arbettet an b e m (am, 



4. 2) Sif4e. 

 3>a JJinb tanjt auf b e m 33rette. 



er Jtnabe fpieU in tern (Varton. 



Tho man is working at the 



table. 

 The child is dancing on the 



board. 

 The boy is playing in the 



garden. 

 The dog is under the tree. 



3>cr $unt ifl untcr b e m SPaume. 



But when motion towards a given point is signified, the accu- 

 sative is used, as : 



!Ter SRann gcbt an ben 2tf4. 

 JDa &\m fpringt auf ta (auf, 



4. 2) 2km. 

 er Jlnabe cilt in t e D attcn. 



Ter -&unt (Suft untct b c n 93aum. 



The man is going to the table. 



The child springs upon the 

 board. 



The boy hurries into the gar- 

 den. 



The dog runs undor the tree. 



Dative and Accusative. 



Star gif4 frfjnnmmt in tern SBafjer. The fish swims in the water. 

 cr 2tcin faflt in baS SBafier. The stone falls into the water. 

 t flcfyt an bcr X^ure. Ho is standing at tho door. 



<tr getyt an bte 3$ure. He is going fo the door, 



OP EXAMPLES. 



SDJit ret JRufie rinrf Sto'ifcrS cttrug' 

 cr ben fjcftigflcn 



95ct bcm Gk-tan'fcn an tic cf>macf> 

 fctncS aSa'tcrlantcS fonntc cr tic 

 S^rincn nicfjt Ungcr jurucf'ful 

 kn. 



2Dir nuiffcn unS frcfhc'fccn, tocnn ruir 

 anterS gutc Burger fcin njctlcit, 

 mir unfcrn J?raftcn unt nacf> un 

 frrm i'frmc'gcn tern Staate ju 

 nu^tn. 



With the (quiet) calmness of a 

 stoic he endured the most 

 violent pain. 



At the thought of the disgrace 

 of his native country he 

 could not (longer) repress 

 (the) his tears. 



Wo must exert ourselves, if we 

 (otherwise) wish to be good 

 citizens, with all our strength 

 and according to our ability 

 to serve the State. 



* In case of balb, the preposition a u f is commonly omitted. 



ffitr tin fen .Inlrrn nuM tbun, Wai 

 n-ir iiul't irunf^cn ten i^nm .] 

 than V bafccn. 



'-rn teodn. 



2.\( icirt n i.ft r yfcii fwinnt. 



ie werten ytxn tutfni. 



3<$ mujitc ten gan^rn 'Kktni Ufrn. 



@it fatten t nittii tfyun fellrn. 



We matii not do to oth< 



wo do not wuh to bare done 

 by tham, 



He hat wlahed to writ* letter* 



Will Hbe be obliged to go? 



She will not be able to go. 



Wo have not wiahed to do it. 



Too will be allowed to go. 



I wa* obliged to read the whole 

 evening. 



They ought not to have done it. 



EXKRCIHE 37. 



1. SDoden 2ic mit mir no^ ORannfcim gd^en ? 2. 34 faun nu*t. id 

 feine 3cit. 3. ffiann fluntn 2ie gefcen ? 4. 3^ trmt tw ni^flc 



jeBcn, cnn &\t fo lange irncn frnnrn. 5. SBifl 3l)r ic^ 

 3f)ncn auf ta "jdt cccr nac^ ter 2tatt gtitn ? 6. (?t aid nt$t of 9 

 gelt, uut f.inn ni4it najfj ter 2tatt gefrn. 7. fflal taofUn 



luolkn 9ewl unt Jlirf^en, abet fU founoi feint faf, Unn fu 

 tyaben fein fflclt. 9. Sa ttjcUen 2te, raetn J&m ? mhn Staulein? mane 

 Darac ? 10. SScUtn ie tie (Viite ^abtn, mtr rin (a (Sect. 

 SBaffet (Sect XXV.) ju gebra? 11. Stennm Sir mir fayi. mt wet 

 ll$r ti ifl ? 12. 34 fann e* (Sect. XXXV. 6) 3bnrn ni^t jap*. 14 

 I)abe feine U^t bei mir. ,3. 23a wcUte fctt Jtaufraani 3bwn orr. 

 faufcn? 14. 3e$ fonntc ntc^tj bei ibm finten, a< iA taufen well: 

 3Bir mertcn mcrgcn f4(ed)te< Setter fubtn 1C. ff< fam fan. taf 

 e no4 bcute regnen irirt. 17. Jti<nnen Sic tie tcurft^e ^antfi^nft 

 lefen ? 18. 9letn, 14 ^abe genug mit tet Xrudf^hft <u tbun. 19. !Dct 

 Kcttif4t (Sect XVT.) iU feinen ?teunt ni4t iobtn. 20. hne 

 Olclchrtc if: nidjt immet cine gute -^audfrau. 21. (Metult tit one fc^nxtt 

 Jtunft ; 9)Jan4e ( 53. 1) fcnnen fte leb^en, abet n4t lernen 22. vni 

 gutcr i^cbrcr mup etulb ^aben. 23. 3eter gute <24ulet anrt aunnetffiun 

 fein. 



EXKRCISE 38. 



1. You can go into the garden, but you cannot remain long 

 there. 2. These attentive scholars were allowed to go with 

 their teacher to Mannheim. 3. We con employ [antDtntot] our 

 time better. 4. Can you apeak German ? 5. We could not 

 learn our lessons this week. 6. Yon must learn this week's lea* 

 eons [tie Sufgaben ttefcr 2B04e] attentively. 7. Yon may go to- 

 morrow to your parents. 8. He may be a good man. 9. The 

 housewife must (is obliged to) go to market to-morrow. 1ft 

 Have you written to your parents ? 11. Yes, I was obliged to 

 write. 12. It is two o'clock. 13. I shall arrive at your house 

 at a quarter past three o'clock. 14. Will you come twenty 

 minutes before eight o'clock? 15. I may come to your house 

 this evening, but do not wait for me. 16. Aa long as [fo laage 

 it rains, I cannot go out. 17. Fi-h can only [nut] live in 

 water, and birds in the air. 18. You should not have done thftt, 

 it will not be any recommendation [feine (rmrfeblungj to yo;: 

 I wish to go to the theatre this evening. 20. We may not have 

 the opportunity [elegcnb,citj another time. 



LESSONS IN MUSIC. IV. 



THE Binary (or two-pulse) measure is the boldest of the mea- 

 sures, and tho one most easily felt or performed. It is by far 

 the best for large masses of voice, and is well adapted to aid 

 in giving majesty to a tunei Try " St Stephen's " or " Bedford," 

 first in tho three-pulse measure (lengthening the accented notes), 

 and then in the hco-pulse measure, and yon wul understand the 

 character of the Binary measure. The Trinary (or three-pulse) 

 measure is well adapted to aid in producing a soft and soothing- 

 musical effect. When the tune is simple it ia not unfit for 

 congregational use, especially if the people hare been trained 

 to keep the accent. The adaptation of this measure to soft and 

 soothing music is illustrated by its analogy (according to Dr. 

 Bryce) to the breathing of health and rest. The Quaternary (or 

 four-pulse) measure, when delicately performed, gives much ele- 

 gance to a tune. It is adapted to congregational tones when the 

 movement is not too alow. Try tho wq}l-known tune " Vesper 

 Hymn," taking care to give the mediujOMcccnt The Senary TOT 

 six-pulse) measure ia commonly used in connection with quick 

 movements, and ia naturally soft, light, and ekgint; for this 

 reason it ia better adapted to secular compositions than to 

 sacred music. 



