LESSONS IN MUSIC. 



lOfi 



J (H I KiitfLunl'a h.'iirt with Uuitiag nervM, 



It i.illn-i |.,|- Hi.- tln-dUO] 



orre* 



I ny: I.M i: h'"ii <;.! M.oNB. 



, Hound enough, 

 .ml eereuo ; 



. tnii- iiml tough, 

 All'l ' KM. 



d'tluurl! Ay, <:<>d U praiud, 

 That thuM, in patriot pride, 

 A> i i<e mbwd 



Alov! tho titoriiijr tide. 



'TIS BAJTK KNOUiiH AMU BOUND KMOUUH, 

 IT TH KILLS THE HEAKT TO > I 



A MAN'H A BIT or EXUUBH tmirr, 



AD TBUE FBOM HEAD TO HEEL. 



AYlu 11 you como to sing thin tune to words, bo careful to seal into tho Bcntiment of the word* of the song, forgetting 

 B tho LOUD and soft phrases, as indicated by tho capi- yourself and your hearers in tho thoughts and feelings you utter, 

 ml itulioa. But a hotter way still is to throw your own and aing accordingly. 



EXERCISE 26. CROSSCOMBE. KEY C. M. 80. 



The Words from " Ballads for the Times," by Martin Farquhar Tupper. Tune, OLD ENGLISH. 



j, 





2. Many a foe is a friend in disguise, 



Many a sorrow a blessing most true, 



Helping the heart to be happy aud wise, 



Bringing true love and joys ever new. 



Stand in the van, strive like a man, 

 This is tho bravest and cleverest plan 

 TRUSTIJW IN QOD WHILE YOU DO WHAT YOU CAH : 

 CHEEKILY, CHEERILY, THEN CHEEK DP ! 



^ These two songs will show LAH and FAH in new posi- ! The " time " in this tnne will be rather difficult, but must bo kept 

 t$ons, and with, new rhythmical arrangements. Tho pupil will j perfectly. Remember that, with proper care and self-discipline 

 pay special attention to these two notes wherever he finds them, at first, it is easier to be perfect than imperfect. 



