xvi LIST OF ILLUSTRATIONS Continued 



PAGt 



Interior doorway at Gunston Hall ........ 90 



Interior doorway at Whitehall, Md. . . . . . . .91 



Fig. ii. Diagram showing parts of an ordinary panel door ... 92 



Doorway of Hammond House ........ 93 



Fig. 12. Old and new methods of door construction .... 93 



Vestibule door at Alexandria, Va. ... ... 94 



Doorway at old Whitehall, Md. ........ 95 



Old doorway at Deerfield, Mass. ........ 96 



Fig. 13. Fine example of Colonial architraves ..... 96 



An interior doorway .......... 97 



An unusual door-hood . ......... 98 



Fig. 14. The veneered door ........ 98 



A modern doorway at Arlington, Mass. ....... 99 



HEADING, CHAPTER VI. A modern treatment of the circular bay . . 100 

 French window motive .......... 101 



Modern Colonial bays . . . . . . . . . .102 



House at Chestnut Hill, Mass. . . . . . . . .102 



An example of the English casement window . . . . . .103 



Entrance motive to house at Cambridge, Mass. . . . . .104 



Entrance motive to house at Lynn Mass. . . . . . .105 



Mullioned window in old house at Flushing, L. I. . . . . . 106 



Interior of (above) window ......... 107 



Fig. 15. One method of building the casing ...... 107 



Old church window at Newburgh, N. Y. . . . . . .108 



Fig. 16. Plan of three-opening mullioned window . . . . .108 



Portion of house at Wayne, Pa. . . . . . . . .109 



A semicircular bay . . . . . . . . . .109 



Excellent glass motives . . . . . . . . .no 



Window in old Bowne House . . . . . . . 1 1 1 



A second-story bay . . . . . . . . . .112 



A bay at Newburgh, N. Y 112 



Fig. 17. Section of a simple window frame . . . . . 113 



Fig. 18. Section of a window in a brick wall . . . . .114 



Fig. 19. Showing the construction of a "French" window . . .114 

 Entrance motive to the Emerton House . . . . . . .115 



Fig. 20. Showing the construction of a cellar window . . . .116 



HEADING, CHAPTER VII. In the Peabody Institute . . . 117 



Hooded fireplace in studio . . . . . . . . .118 



