MUSIC 



4032 



MUSICAL INSTRUMENTS 



If to the triad is added the octave of the fun- 

 damental tone, the resulting combination of 

 four tones is known as a full chord. 



A triad in music does not always appear with 

 its fundamental tone lowest, for a rearrange- 

 ment does not interfere with the harmony. 

 The triad built on C, for instance, which is 

 CEG, may be inverted so that it forms EGG 

 or GCE. With your list of triads and those 

 you have drawn on the staff before you, re- 

 arrange them all so that they shall appear in 

 these three positions. 



The discussion of other less simple chords 

 and of other phases of harmony is too difficult 

 for such a study as this, but most of the com- 

 binations found in the simple songs sung in 

 school are covered by the description above. 



This study has aimed to be suggestive rather 

 than exhaustive, as was necessary within its 

 narrow limits. If all the suggestions made are 

 carried out, if every principle presented is made 

 clear through sufficient practice, the elements 

 of vocal music will be well covered. A.MC c. 



Consult Surrette and Mason's The Appreciation 

 of Music. For elementary lessons in vocal music 

 apply for catalogue of schoolbook publishing 

 houses. 



Related Subjects. The reader is referred to 

 the following articles in these volumes : 



Alda 



America 



Annie Laurie 



Auld Lang Syne 



Band 



Battle Hymn of the 



Republic 

 Cantata 

 Carmen 

 Carol 



Cavalleria Rusticana 

 Chorus 

 Christmas, subhead 



Christmas Carol 

 Chromatic Scale 

 Conservatory 

 Gavotte 



God Save the King 

 Hail Columbia 

 Harmony 

 Hymns, National 

 Hymns and Hymn 



Tunes 



Intermezzo 



Key 



Lohengrin 



Marseillaise 



Metronome 



Minstrel 



Musical Instruments 



(with list) 

 Opera, subhead Opera 



Bouffe 

 Oratorio 

 Orchestra 

 Parsifal 

 Scale 

 Singing 



Star-Spangled Banner 

 Te Deum 

 Tempo 

 Tone 

 Treble 

 Tuning Fork 

 Wacht Am Rhein, Die 

 Yankee Doodle 



MUSICIANS 



Abt, Franz 



Bach, Johann Sebastian 



Balfe, Michael W. 



Beethoven, Ludwig von 



Berlioz, Hector 



Bizet, Georges 



Bliss, Philip Paul 



Brahms, Johannes 



Buck, Dudley 



Billow, Hans Guido von 



Calve, Emma 

 Campanini, Cleofonte 

 Caruso, Enricp 

 Cavalieri, Lina 

 Chadwick, George W. 

 Chaminade, Cecile L. S. 

 Cherublni, Maria Luigi 

 Chopin, Frederic F. 

 Coleridge-Taylor, 

 Samuel 



1 >ulmores, I'lia; 

 Damrosch, subhead 



Leopold Damrosch 

 De Koven, Reginald 

 Destinn, Emmy 

 Donizetti, Gaetano 

 Dvorak, Antonin 

 Eames, Emma 

 Eddy, Clarence 

 Farrar, Geraldine 

 Flotow, Friedrich von 

 Foote, Arthur 

 Foster, Stephen Collins 

 Fremstad, Olive 

 Gadski, Johanna 

 Garcia 



Garden, Mary 

 Gilmore, Patrick S. 

 Gluck, Alma 

 Gluck, Christoph W. 

 Gottschalk, Louis M. 

 Gounod, Charles F. 



Meyerbeer, Giacomo 

 Mozart, Johann 



Wolfgang 

 Muratore, Lucien 

 Nevin, Ethelbert 

 Nielsen, Alice 

 Nilsson, Christine 

 Nordica, Madame 

 Paderewski, Ignace Jan 

 Paganini, Niccolo 

 Palcstrina, Giovanni da 

 Patti, Adellna M. C. 

 Powell, Maud 

 Puccini, Giacomo 

 Remenyi, Edouard 

 Reszke, Edouard and 



Jean de 



Root, George F. 

 Rossini, Gioachino 



Antonio 



Rubinstein, Anton G. 

 Ruffo, Titta 



Grieg, Edvard Hagerup Saint-Saens, Charles C. 



Guido of Arezzo 

 Guilmant, Felix A. 

 Handel, George F. 

 Haydn, Josef 

 Heber, Reginald 

 Henschel, Georg 

 Herbert, Victor 

 Hofmann, Josef 

 Homer, Louise 



Schubert, Franz 

 Schumann, Robert 

 Schumann-Heink, 



Ernestine R. 

 Scotti, Antonio 

 Seidl, Anton 

 Sembrich, Marcella 

 Binding, Christian 

 Smetana, Friedrich 



Humperdinck, Engelbert Sousa, John Philip 



Joachim, Joseph 

 Kellogg, Clara Louise 

 Kubelik, Jan 

 Lind, Jenny- 

 Liszt, Franz 

 McCormack, John 

 MacDowell, Edward A. 

 Mascagni, Pietro^ 

 Massenet, Jules E. F. 

 Melba, Nellie 



Strauss, Johann 

 Strauss, Richard 

 Sullivan, Sir Arthur S. 

 Tetrazzini, Luisa 

 Thomas, Theodore 

 Tschaikowsky, Peter I. 

 Urso, Camilla 

 Verdi, Giuseppe 

 Wagner, Wilhelm 

 Richard 



Mendelssohn-Bartholdy Weber, Karl Maria von 



Felix 



Zeisler, Fannie 



MUSICAL INSTRUMENTS. As musical 

 knowledge has increased and interest in music 

 has widened, more and more instruments have 

 been fashioned for the production of musical 

 effects. Each, however little it may differ from 

 some other, has its peculiar properties, and 

 there are few that the music lover would be 

 willing to dispense with. 



Related Subject*. The following instruments 

 are given separate treatment in these volumes : 



Accordion 



Aeolian Harp 



Bagpipe 



Banjo 



Bassoon 



Bass Viol 



Bugle 



Clarinet 



Concertina 



Drum 



Dulcimer 



Fife 



Flageolet 



Flute 



Guitar 



Harmonica 



Harp 



Harpsichord 



Horn 



Jew's-Harp 



Lute 



Lyre 



Mandolin 



Oboe 



