INDEX. 



Rousseau, iii. 115 ; and Diderot, 201 ; 

 256, 257; 299, 340; 'Confessions,' 

 355 ; problem of education in France, 

 363 ; 452, 453 ; iv. 11, 13 ; and the 

 Revolution, 132; sentimentalism of, 

 134; influence on Kant, 145 ; 'Emile,' 

 ib. ; 146 ; and education in Switzer- 

 land, 203, 291 ; and Kant, 277 ; 288, 

 296 ; and Hamann, 301 ; 421 ; Herder 

 and, 423 ; 427, 449, 450 sqq., 453, 524, 

 548, 611. 



Royce, Josiah, "Kant's Terminology" 

 in Baldwin's ' Dictionary of Philo- 

 sophy and Psychology,' iii. 436 ; 

 "Hegel's Terminology," 436; papers 

 in 'Philosophical Review,' 438; iv. 

 437. 



Royer-Collard, iii. 4 ; 234 ; and Cousin, 

 235; 270. 



Ruge, Arnold, and Feuerbach, iv. 199. 



Ruskin, iii. 423, 465 ; ' Modern Paint- 

 ers ' quoted, 608; 612, 614, 626; iv. 

 14, 32 : 47, 57, 95 ; ' Stones of Ven- 

 ice,' 33; Discussions on the Beau- 

 tiful, 97 sqq. ; Social importance of 

 Art, 99 ; 100, 101, 124, 125, 246. 



Ruyssen, T., on Comte, quoted, iv. 490. 



Sabatier, ' Modernism,' iv. 349. 



Sage, Le, iv. 620. 



Saint - Hilaire, Barthelemy, ' Life of 

 Victor Cousin,' iii. 426. 



Saint-Simon, Comte de, iii. 304, 377, 

 423 ; socialistic theories of, iv. 133 ; 

 influence on Comte, 188 ; 462, 466 

 sqq. ; Comte and, 470 ; 472, 478, 482, 

 483, 495, 497, 539. 



Saint-Simon, Due de, iv. 466. 



Saintsbury, Prof., ' History of Criti- 

 cism and Literary Taste in Europe,' 

 iii. 96 ; iv. 4 ; 99, 127 ; ' Periods of 

 European Literature,' 288; 426. 



Sanchez, Francois, ' Tractatus de mul- 

 tum nobili,' &c.,, iii. 320. 



Sanscrit, study of, iii. 147 ; Bopp's con- 

 jugation of, 147. 



Saunders, T. B. , iii. 75 ; iv. 394. 



Savigny, historical school founded in 

 opposition to philosophical school of 

 Thibaut, iii. 132 ; controversy with, 

 ib. ; ' Task of our Age for Legislation 

 and Jurisprudence,' ib. 



Say, J. B.,iv. .543. 



Scaliger, Jos. J., iii. 147 ; iv. 320. 



Science, Ethics and British, iv. 127 ; 

 and Religion, problem of, 727 ; influ- 

 ence of, on philosophical thought, 

 737 sqq. 



Schaarsclimidt, iii. 175. 



Schaffle, A., iv. 521 sqq. 



Schasler, Max, ' History of .Esthetic 

 as the Philos. of the Beautiful and 

 of Art,' iv. 14 ; quoted, 18 ; treatment 

 of J5]sthetics and Philosophy, 26 ; 57, 

 62 ; criticism of Lotze's writings, 68 ; 

 ' Die Dioskuren,' ib. ; 102, 125. 



Schelling, iii. 30, 39; "positive" phil- 

 osophy, 55, 487, 488, 614; 66, 119; 

 'Relation of Plastic Arts to Nature,' 

 155 ; and Hegel, 169, 197, 176, 171, 

 175, 179 ; ' Philosophy of Nature,' 

 202, 486, 547, 548, 550, 553, 583 ; 249, 

 250, 252 ; to Schopenhauer, 253 ; 258, 

 350, 364; artist and poet, 366; 

 ' Werke ' quoted, 367 ; 490 ; ' Methods 

 of Academic Study,' 368 ; quoted, 

 369 ; his influence on Fechner, 370 ; 

 and Fiehte, 372, 445; 373; Hegel, 

 'Werke' quoted, 374 ; 380, 381, 387, 

 388 ; influence on Schopenhauer, 393, 

 .395 ; 446, 450, 451, 453, 454 ; Intro- 

 ductory Lecture at Munich quoted, 

 455 ; 456 ; enriched philosophical 

 language, 457 ; love of nature, 458 ; 

 conception of the Absolute, 459, 

 507, 584; 460, 461, 462; on Fichte's 

 Lectures, ' Uber das Wesen des 

 Gelehrten,' 463, 464; quoted, 465; 

 467 ; Address at Munich : " Relation 

 of the Fine Arts to Nature," 468 ; 

 469, 470, 472, 473, 477, 479 ; religious 

 turn, 489 ; philosophy of Freedom, 

 489 ; 490, 492 ; ' Aus Schelling's 

 Leben,' 493 ; 494, 499, 504, 508, 514, 

 517, 518, 520, 526, 529, 545, 548; 

 quoted, 549, 550 ; biological appeal 

 of, 553, 554, 555 ; view of Nature, 

 556 ; 557, 561, 586, 588 ; "Essence of 

 human freedom," 589, 590; "Ab- 

 solutism," 591 ; 593, 596, 613, 614, 

 615, 616 ; speculations of, 619 ; iv. 

 16 ; philosopher of Romanticism, 24 ; 

 26; influence of Goethe, 32; philoso- 

 phy of, 37 ; on art and the problem 

 of reality, 39 ; Address before Munich 

 Academy quoted, ib. ; 47, 57, quoted 

 99; 'Werke,' 39, 47; contemporary 

 of Goethe, 40 ; Transcendental Ideal- 

 ism, 41, 44; 42, 43; 'Collected 

 Works ' quoted, 44 ; and Mythology, 

 45, 46 ; want of logical method, 47 ; 

 on Dante, ib. ; want of definite 

 method, 48 ; 53 ; Art abandoned for 

 Mysticism, 56, 57 ; "intellectual intu- 

 ition," .58, 406 ; 59 ; ideas on ^Esthetics, 

 60; polemics with Jacobi, 61; "in- 

 tellectual sight," 62; 6.5, 68, 69, 73, 

 79, S3; "alogical" jirinciple, 84; 



