CONTENTS. XX« 



Lightness and Massivcness — Quotation from Milton 277 



Columns in bridges — Blnckfriars 279 



Wooden Bridges 281 



Stone and wood 28S 



Picturesque bridge at Charcnton — not however an object of 



imitation ibid. 



Anecdote of a Ciiinese tailor. Note. 284 



Stone and wood bridge in a drawing of Claude 28j 



Character of architecture and buildings in the pictures of great 

 historical painters of the Roman, Florentine, and Venetian 



Schools 288 



Drawing of Tintoret. Note 290 



Architecture of the Venetian school; difference of its character 



from the two others. The Causes 293 



Twisted columns in one of the cartoons • 296 



Grandeur produced by two columns in n picture of Titian • • • • 298 



Bolognese school of painting SOO 



Pietro da Cortona 3G1 



Poussin 302 



Flemish school — Rubens • 205 



Landscapes — Roman and Florentine schools • 308 



Ditto — Venetian — Titian 309 



Two landscapes of Titian, etciicd by Bolognese 311 



Application of the principle on which the buildings in them are 



grouped • 312 



Xondscapes of Bolognese school 314 



Ditto of Poussin 315 



i^Iagnificent view of a city in one of his pictures 316 



Similar views in pictures of P, Veronese aud Claude 318 



