104 



tered, naked, deformed, or desolate. These 

 instances may shew, that it would be no less 

 absurd to make picturesque scenes without 

 any mixtui'e of the beautiful, (and the cau- 

 tion at some future period may not be un- 

 necessary,) than to attempt what has so 

 long, and so idly been attempted — to make 

 beautiful scenes, without any mixture of the 

 picturesque. 



