Theory and Practice 



variety for such a drive appropriated to pleasure onlv ; 

 but this is introduced as an archetype or example, from 

 whence certain principles are reduced to practice. Some 

 of my observations, in the course of this description, may 

 appear to have been anticipated by Mr. Whateley, and 

 if I may occasionally deliver them as my own sentiments, 

 1 hope the coincidence in opinion with so respectable 

 a theorist will not subject me to the imputation of 

 plagiarism. "^5 



Heathfield Park is one of those subjects from whence 

 my art can derive little credit : the world is too apt to 

 mistake alteration for improvement, and to applaud 

 every change, although no higher beauty is produced. 

 The character of this park is strictly in harmony with 

 its situation ; both are splendid and magnificent ; yet a 

 degree of elegance and beauty prevails, which is rarely to 

 be found where greatness of character and loftiness of 

 * situation are predominant, because magnificence is not 

 always united with convenience, nor extent of prospects 

 with interesting and beautiful scenery. The power of 

 art can have but little influence in increasing the natural 

 advantages of Heathfield Park. It is the duty of the 

 improver to avail himself of those beauties which nature 

 has profusely scattered, and by leading the stranger to 

 the most pleasing stations, to call his attention to those 

 objects which, from their variety, novelty, contrast, or 

 combination, are most likely to interest and delight the 

 mind. On this foundation ought to be built the future 

 improvement of Heathfield Park ; not by doing violence 

 to its native genius, but by sedulously studying its true 

 character and situation : certain roads, walks, or drives 

 may collect the scattered beauties of the place, and con- 

 nect them with each other in lines, easy, natural, and 

 graceful. 



