fos RENAISSANCE ARcmtECTURE ix FRANCE. 



106. BEAUVAIS CATHEDRAL: DOORS OF SOUTH TRANSEPT (<-. 1535). 



another type with square section was introduced, whose flat faces were 

 sometimes panelled or otherwise enriched, the mouldings, if any, pro- 

 jecting from the face. The choir of Beaumont-le-Roger (Fig. 107) gives 

 examples of several types. In the aisles the tracery is moulded, and 

 consists of combinations of round arches and circles; in the clearstorey 

 it is of square section and the mullions have capitals. In one window 

 the pattern simulates a ribbon interlacing in circles, in another it forms 

 a monogram. From such a treatment, it was but a step to a further 

 development in which the Gothic effect of growth is abandoned for the 



