272 



CATALOGUE. ACUSTICS, THEORY OF MUSIC. 



Sound conveyed by pipes, which open in a crevice of the 

 moulding of a frame. 

 li. Walker's apparatus for conducting sound. 



Nieh. 8. IV. 69. Gilb. XIV. 220. 

 Vieth's acustic observation. Gilb. XVII. II7. 



Asserts, that there is a point precisely in the axis of hear- 

 ing w^here the sound is not audible. 



Darwin's zoonomia. II. 487. 



" The late blind Justice Fielding walked for the first time 

 into my room, when he once visited me, and after speaking 

 a few words said, this room is about 22 feet long, 18 wide, 

 and 12 high ; all which he guessed by the ear with great 

 accuracy." Darwin. 



Theory of Music. 



Musicae antiquae scriptores, Meiboinii. 4. 



Amst. i632. R. f. 

 •CI. Ptolemaei harmonica a Wallis. 4. Oxf. 



1682. Op. III. 

 Zarlmo Istitutioni harmoniche. f. Ven. 1558. 



1573. M. B. 

 Salinas de musica. f. Salamanc. 1577. M.B. 

 *Merstnm harmonica, f. Par. 1635. 

 *Merserine Harmonie universelle. f. Paris, 



1636. 

 *Kircheri musurgia. 2 v. f. Rom. 1660. 



M. B. 

 * XtVcAen phonurgia. f. I673. M.B. 

 Cartesn musicae compendium. Utr. 1650. 



M. B. 



Dechales mundus mathemAticus. 



Ph. tr. abr. I. x. 606. IV. vii. 469. 



Memoli Musica speculativa. 4. Bologna, 



1670. 



Ace. Ph. tr. 1673. VIII. 6194. ' 



-.Sa//720« on music. 8. London, 1672. M.B. 



Ace. Ph. tr. 1671. VI. 3095. 

 Wallis on the'division of the monoehord. Pii. 



tr. 1698. XX. 80. 

 Wallis on the imperfections of the organ. Ph. 



tr. 1698. XX. 249. 

 Wallis's Works, vol. D. f. Oxford, IG99. 



Ace. Pb. tr. 1699. XXI. 259. 



Sauveur's general system of intervals. A. P. 



1701. 299. H. 121. 

 Sauvcur on the organ. A. P. 1702. 

 ■j-Salmon's music reduced to proportions. Ph. 



tr. 1705. XXIV. 2069. 

 Henfling's musical system. M. Berl. I. 265. 

 Jlfa/co/m on music. 8. Edinb. 1721. R. I. 

 RameauTxMX.^ de I'harmonie. 4. Par. 1722. 



M. B. 

 i?a»jf«?« systeme de musique. 4. Par. 1726. 

 liameau du principe d'harmonic. 



Ace. A. P. 1750. H. 160. 

 Rameau on the principles of music. Mem. 



Trev. Aug. I762. 

 Rameau's other musical works. See Forkel. 

 fEukr tcntamen novae theoriae musicae 4. 



Petersb. 1729. M. B. 

 Euler on some discords, and on the charac- 

 ter of modern music. A. Berl. 1764. l65, 



175. 

 Euler on the true principles of harmony. N. 



C. Petr. XVIII. 330. 



Euler's speculum musicum. 



F COD 



A E B r» 



C* G« D« Bb. 

 Montvallon on musical intervals. A. P. 1742. 



H. 117. 

 On numbering vibnitions. C. Bon. I. 180. 



By the teeth of a wheel striking the air only. 



Smit/is hannouies. 8. Cambr. 1749. 1759. 



R.I. 

 Esthie gurrharmonie. 



Ace. A. P. 1750. H. l65. 

 Est^ve on tlie best system of music, and on 



temperament. S. E. II. 113. 

 Romieu on grave harmonics. Ac. Montpel. 



1751. 

 Romieu on tempered sj'stoms ofmusic. A. P. 

 i 1758.483. 



Agrees nearly with the progressive temperament 



