CATALOGUE. — ACU5TICS, THIOKY OF MUSIC. 



273 



Avison on musical expression. 12. 1752. 



Dolimbert Elemens tie musique. 8. Paris, 



1752. 

 fTartiiii delta vera scienza dell' armonia. 4. 



Pad. 1754. M.B. 

 RoHsseau Dictionnaire de musique, 

 Rousseau's musical dictionary. 

 Marpurg Anfangsgrlinde der •theoretischen 



musik. 4. Leipz. 1757. 



On ratios and temperaments. 



Marpurgs versuch iiber die temperatur. 8. 



Bresi. 1776. 

 Jamard sur la theorie de la musique. 8. Par. 



1768. 

 Emerson's miscellanies. 353. 

 *Hulden on a rational system of music. 4. 



Lond. 1770. M. B. 



*Kirnberger Kunst des reinen satzes. 4. Berl. 



1771 ... 

 Sulzers tlieorie der schonen kiinste. 4 v. 8. 



Leipz. 1772. 

 Laniheit on musical temperament. A. Berl. 



1774. 55. 

 Harrison on clockwork and on music. 8. 



1775. n.s. 



Geduitken iiber Kirnbergers temperatur. 8. 



Berl. 1775. 

 Vandermonde Systeme d'harmonie. 8. R. S. 



Ace. A. P. 1778. H. 51. 

 Bemetzrieder Essai sur I'harmonie. 8. R. S. 

 Bemetzrieder Methode de musique. 8. R, S. 

 Bemetzrieder Trait6 de musique. 8. R. S. 

 5^ee/e's prosodia rationalis. 4. Lond. 1779. 



Good theory, but inaccurate declamation. 



Essay on tune. 8. Edinb. 1782. M. B. 



Jones's treatise on music, f. 



E. M. Musique, i vol to Cyt. by Framery 



and Ginguene. 

 Barca on anew theory of music. A. Pad. L 



365. IL329. IV. 71. 

 Cavalloon temperament. Ph. tr. 1788. 238. 



VOL. II. ' 



Recommends the equal temperament. , 

 Sacchi's theory of music. C. Bon. VIL O, 



139. 

 *Forkel Allgemeine litteratur der musik. 8. 



Leipz. 1792, 

 Jones on the musical modes of the Hindoos. 



As. Res. in. 55. 

 Suremain Missery Theorie acousticomusi- 



cale. 

 Patterson's notation of music. Am. tr. III. 



139. 

 Young. Ph. tr. 1800. 



Additional remarks. Nich. V. 141. 

 Young on compound sounds, in answer to 



Gough. Kich. 8. II. 264, HI. 145. IV. 



72. 

 Young's harmonic sliders. Journ. R. I. Nich. 



8. IV. 101. 

 Robison. Enc. Br. Suppl. Art. Temperament> 



Trumpet. 



Enc. Br. Suppl. II. 650. 



"The perception of harmonious^ound is the sensation pro- 

 duced by another definite form of the agitation. This is 

 the composition of two other agitations ; lul it is the com- 

 pount agitation only that affects the ear, and it is its form 

 or kind which determines the sensation, making it pleasant 

 or unpleasant." Robison. 



Chladnion finding the velocity of vibrations. 

 Gilb. V. 1. 



Proposes to number the vibrations of a long rod, and to 

 observe the sound of a portion of it. Suggests Sauveur's 

 last pitch as a new idea. 



Gough on the theory of compound sounds. 

 Manch. M. V. 653. Nich. 8. IV. 152, 



Defends Smith against Dr. Young, but misunderstands 

 both. 



Gough on compound sounds and grave har- 

 monics, in reply. Nich. 8. III. 39. IV. 1, 



139. 

 Mrs. M. Young's patent for teaching music. 

 Repert. XVI. 9. 



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