12 BOOKS PUBLISHED BY 



Demy 8vo, cloth extra, gilt, with Illustrations, gs. 



Fignier 's Primitive Man ; 



A Popular Manual of the prevailing Theories of the Descent of 

 Man, as promulgated by DARWIN, LYELL, Sir JOHN LUBBOCK,, 

 HUXLEY, E.. B. TYLQR, and other .eminent Ethnologists, Trans- 

 lated from the last French edition, and revised by E. B. T. With 

 263 Illustrations. 



"An interesting and essentially popular resume of all iJtat Jtas been written 

 Oft. the subject. M. Figuier Jtas collected together the evidences which modern 

 researches have accumulated, and has done this with a considerable amount ef 



Demy 8vo, cloth extra, with Illustrations, i8j. 



Gay "s From Pall Mall to the Punjaub ; 



or, With the Prince in India. By J. DREW GAY. With fine full- 

 page Illustrations. 



"A lasting memorial of an interesting journey." DAILY TELEGRAPH. 

 " Written in a lively ^nd unpretentious style, and sparkling her.e and there 

 with genuine humour, the work is a decidedly attractive one" LEEDS MERCURY,. 

 " A "very readable and enjoyable narrative r>f a journey whose importance 

 and interest are already part of history." HOME NEWS. 



Demy 8vo, cloth extra, gilt, with Illustrations, iSs. 



Cell and Gandys Pompeiana ; 



or, The Topography, Edifices, and Ornaments of Poinpeii. With 

 upwards of 100 Line Engravings by GQODALL, COOKE, HEATH, 

 PYE, &c. 



THE RUSKIN GRIMM. Square crown 8vo, cloth extra, 6j. ,6</.j 

 giit edges, ^s. 6d. 



German Popular Stories. 



Collected by the Brothers GRIMM, and Translated by EDGAR 

 TAYLOR. Edited, with a<n Introduction, by JOHN RUSKIN. 

 With 22 Illustrations after the inimitable designs of GEORGE 

 CRUIKS.HANK. Both Series Complete. 



" The illustrations of this volume . . . . are of quite sterling and admirable 

 art , of a class pr ecisely parallel in elevatio-n to the character of the tales which 

 they illustrate ; and the original etchings, as I have before said in the Appendix to 

 my ' Elements of ^Drawing,' w.er,e unrivalled in masterfulness of touch since Rem- 

 brandt (in some qualities of delineation, unrivalled even by hint). . . . To make 

 somewhat enlarged copies of them, looking at them through a magnifying glass, 

 and never putting two lines where Cruikshank has put only one, would be an exerr 

 rise in decision and severe drawing which would leave afterwards little to be learn/t 

 in sthoels." Extract from Introduction by JOHN RUSKIN. 



