124 TABLE oFTHERULES. 



XIX. Nature to be accommodated to Genius * Page 21 



XX. The Antique the Model to be copied 21 



XXI. How to paint a fingle Figure * - 22 



XXII. Of Drapery * 23 



XXIII. Of pidurefque Ornament 25 



XXIV. Ornament of Gold and Jewels * 25 



XXV. Of the Model 25 



XXVI. Union of the Piece 25 



XXVII. Grace and Majefty * 25 



XXVIII. Every Thing in its proper Place 26 



XXIX. The Paffions * * 26 



XXX. Gothic Ornament to be avoided 27 



COLOURING, the third part of Painting * . 29 



XXXI. The Conduct of the Tints of Light and Shadow 31 



XXXII. Denfe and opake Bodies with tranflucent ones 34 



XXXIII. There muft not be tv/o equal Lights in the 



Pidure * * * 35 



XXXIV. Of White and Black 37 



XXXV. The Reflexion of Colours 37 



XXXVI. The Union of Colours * 3 8 



XXXVII. Of the Interpolation of Air 39 



XXXVIII. The Relation of Diftances 39 



XXXIX. Of Bodies which are diftanced 40 



XL. Of contiguous and feparated Bodies 40 



XLI. Colours very oppofite to each other never to be 



XLII. Diverfity of Tints and Colours 



XLIII. The Choice of Light 



XLIV. Of certain Things relating to the practical Part 



XLV. The Field of the Pidure * 



XLVI. Of the Vivacity of Colours * 

 XLVII. Of Shadows ' 



