TABLE OF THERULES. 125 



XLVIII. The Pifture to be of one Piece Page 43 



XLIX. The Looking-glafs the Painter's beft Mafter 44 



L. An half Figure, or a whole one before others * 44 



LI. A Portrait 44 



LII. The Place of the Picture . 45 



LIU. Large Lights 45 



LIV. The Quantity of Light and Shade to be. adapted to 



the Place of the Picture - 46 



LV. Things which are difagreeable in Painting to be 



LVI. The prudential Part of a Painter __ ^j 



LV1I. The Idea of a beautiful Picture 47 



LVIII. Advice to a young Painter * * . 48 



LIX. Art muft be fubfervient to the Painter 49 



LX. Diverfity and" Facility are pleating * 49 



LXI. The Original muft be in the Head, and the Copy 



on the Clotb 50 



LXII. The Compafs to be in the Eyes * 50 



LXIII. Pride, an Enemy to good Painting *' 51 



LXIV. Know thyfelf 52 



LXV. Perpetually practife, and do eafily what you have 



LXVI. The Morning' mod proper for Work 53 



LXVII. Every Day do fomething 53 



LXVIII. The Method of catching natural Paflions 53 



LXIX. Of the Table-BooL* * 54 



LXX. The Method of Studies for a young Painter * * * * 58 



LXXI. Nature and Experience perfect Art * 62 



APPENDIX. 



