388 



LANDSCAPE DESIGN 



planning, 334; preparing topographic map 

 for landscape architect, 339 



Engineering, 3, 232 



England, Romantic landscape style in, 45- 

 47 ; Tudor formal style of landscape design 

 in, 47-49; cottage style of landscape de- 

 sign, 49-50, its influence in America, 50- 

 51 ; influence of English landscape style in 

 America, 57-58 ; pastoral landscape, 61, 69- 

 70; gardens, refs., 364, 365, 371, 373, 375 



Entrance drives, formal, 226 ; and forecourts, 

 258; in design of estate, 269-71 



Entrance gates, to estates, 209; and fore- 

 courts, 258; and lodges, 263-64; to the 

 large landscape park, 308-9 



Ermenonville, note, 47; illus.y plates 2, 3 



Espalier trees, 206 



Estates, in modern German formal style, 

 53-54; in modern American landscape 

 style, 58-59; development of landscape 

 character units in, 71 ; turf in, 183 ; build- 

 ings of, dominating landscape, 191 ; pavil- 

 ions in, 197; roads in, crossings, 222; 

 as type of landscape design, 232; 



design of the estate, 247-74 > as express- 

 ing the owner's desires, 247-49; physical 

 elements, 249-72 : the house, 250-57 ; loca- 

 tion and orientation of house, 253-57; the 

 house terrace, 257-58; the forecourt, 258- 

 59 ; the garden as a unit of the estate, 259- 

 61 ; avoidance of traffic through garden, 

 259-60; pleasure buildings, 261-62; house 

 service areas, 263 ; estate service buildings 

 and areas, 263-66 ; the greenhouse, 264-65 ; 

 reserve and vegetable gardens, 265-66; 

 tennis courts and areas for other recreations, 

 266-67 ; the open lawn, 267-68 ; tree-shaded 

 areas, 268 ; natural character units, 268-69 ; 

 access, 269-72 ; approach roads, 269-71 ; 

 paths, 271-72; 



design of the whole estate, 272-73 ; 

 choice of site for, 273-74; apportionment 

 of estate area into units required, 274; 

 typical drawings for development, 355-56 

 and illus. following ; list of plants to accom- 

 pany planting plan for, 3S7;/</-f-> 373-7^- 

 See also Lots in land subdivision 



Este, Villa d', 40, 203, 213, 214 



Esthetic theory of design, psychological basis, 

 7-16 



Evans, Frederick N., ref., 376 



Evergreens, specimens as building decoration, 



188; for winter eflPect in garden, 260-61 

 Exhibitions, public, of landscape architecture, 



331, 

 Experience, emotion, and association, 12-16 

 Exposition grounds, 232; ref., 376 

 Expression, esthetic, 19; style and, 22 

 Extent, eflfect of style of Le Notre, 42-44; 



effect of prairie, 64-65 ; and sublimity, 79 ; 



effects of perspective, 102; effect sought in 



the estate, 267, in the large landscape park, 



300-1 



Falconieri, VUla, illus., opp. 112 



Falke, Jakob, quoted, note, 29 



Farm buildings, 264; of Hameau at Ver- 

 sailles, 86 



Farnese, Villa, 40, 215 



Fences, 51, 128; as elements in landscape de- 

 sign, 204-5 ; materials and decoration, 207- 

 9; gates in, 209-10; in garden design, 240, 

 241, 242; as screen of service yard, 263; 

 restrictions concerning, in land subdivision, 

 292-93 ; as park boundary, 318; ref., 372 



Ferme ornee, 46 



Fernow, Bernhard E., ref., 370 



Field force, of landscape architect's office, 

 335-36 



Field houses, in the large landscape park, 315 



Fish ponds, 48 



Flower beds, 38, 51; texture considerations, 

 158; edgings, 171; as parts of a garden 

 inclosed, 177-79; arrangement of plants in 

 relation to form of bed and form of plants, 

 177-78; in relation to time of bloom, 178- 

 79; in relation to color, 179; grouping of 

 plants according to color, 179; carpet bed- 

 ding, 181; relation of paths to, 227; turf 

 paths among, 230; in garden design, 237, 



243-44 



Flower gardens, design relation to the vege- 

 table garden, 265; ref., 370. See also 

 Flower beds, Gardens 



Flower pots, 202 



Flowers, in historic styles of landscape design, 

 35, 36, 48, 50, 51 ; color, 162-64, practical 

 difficulties of design in, 162-63; circum- 

 stances harmonizing flower colors, 163 ; 

 mass relation in flower color, 163-64; sym- 



