CONTENTS. 



II. THE EYES AS FALSE WITNESSES. 



PAGE 



1. Opposite Movements looking Identical . .' >.y .-. 233 



2. False Parallels * . . -' * ;,-'. * . . 237 



3. Levels . \-i *' - * - - " . j * ,. . 242 



4. Ffl/se Continuity . . . . . . . 246 



III. THE EARS AS FALSE WITNESSES. 



1. Ventriloquism ....... 249 



2. False Continuity . -, . . , ; , 256 



IV. THE TOUCH A FALSE WITNESS. 



1. The Hotter feeling the Colder . . . .259 



2. Pain in the Foot when the Leg has been amputated . 261 



3. Immediate Action impossible . ,,. ^:;.f 263 



4. False Continuity in Sense of Touch . . . 264 



5. Achilles and the Tortoise . . , . '. . 266 



V. BODILY STRUCTURE 



1. Pumps without Pistons : Self-repairing Valves. . 287 



2. The Cab-horse as a Ballet Dancer #'.i 298 



