128 ANIMAL PAINTERS 



lOO guineas. Like his father he was an angler, 

 and left evidence of his affection for the rod in 

 his pictures. In the New Sporting Magazine for 

 1843 ^^^ ^^^ ^''' engraving by J. Godden from 

 "The Burn Side," a clever fishing piece; and 

 again the Sporting Magazine for 1859 contains a 

 plate entitled "Arcades Ambo," in which are 

 represented two large trout with a fisherman whip- 

 ping a rapid stream in a beautiful landscape. " No 

 doubt," says the descriptive article, "Mr. Davis 

 Cooper sat down and sketched them on the spot." 

 A. D. Cooper contributed altogether sixty-seven 

 pictures to the Royal Academy exhibitions between 

 the years 1837 and 1888. The very large majority 

 of these were landscapes and subject pictures. To 

 the British Institution he contributed twenty-seven, 

 and to various other galleries twenty pictures. 



WORKS OF A. D. COOPER. 



SPORTING AND AXIMAL PICTURES IN THE ROYAL 



ACADExMY (II in number.) 



iiyjSPANIEL AND GAME. 



iSyf-CAVALIERS. 



li^l— PORTRAIT OF A. COOPER, ESQ., R.A. 



iZ^^— MILKING TIME, the cows the property of Chas. Brett, Esq. 



T.%tf>—QUARRELSO.ME CO.MPANIPNS, the properly of Mrs. H. C. Hoare. 



lisi—HOR.'iES, the property of the Hon. G. W. C. Byng. 



1869— rO/'i'K, IVASP, SAILOR, AND MASTER TURl'V, protigis of James Farrer, 



Esq., of Ingleborough. 

 iZTi—AT BAV. 

 itig— AFTER THE FAIR. 



iSSo—BLACA'COCR- AND MOUNTAIN HARE. 

 T%1.%—A MUTUAL SURPRISE. 



