72 



THE NATURE OF MUSIC 



fore not only the basis of chord-harmony, but the 

 inseparable bond between the two is that of feeling and 

 thought, of the simple and more complex, of lower and 

 higher forms corresponding to lower and higher evo- 



a) 



h) 



^^^m^^^ 



e) 



d) 



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^ — ^-i 



^==4 



s 



rr^m=^ 



T 



0) 



3 5 13 1 3 



9) 



13 13 



^m 



4^ 



i^ 



f 



^ 



rf=f 



f=f 



^ >~i-t-t- f- 



T=P= 



F¥^ 



^ 



^ 



r 



r 



lutionary states of mind. Not alone may original 

 forms be reproduced in chord-forms, but as seen in 

 examples /), g) and Z^),^ a single melody may imply a 

 great variety of other chord-forms, and these examples 

 exhibit a more advanced state of personal selection 

 than those which precede. 



^ Ex. h) could not be deciphered. L. E. K. 



