ACCENT AND REGNANT HARMONY 



115 



75395 193 1 317531 



I 



V9 



I etc. 



Here note the fact that regnant V is sometimes a 

 consonance, sometimes a dissonance with four com- 

 ponents as V?, sometimes a dissonance with five 

 components as V9. Hence this general truth: The 

 regnant harmony of the moTnent may be either a con- 

 sonance or a dissonance. 



Attention is again called to the first example of this 

 paragraph. Both in the progression I — ^IV at c) and 

 the resolution IV — I at d) regnant IV is reported 

 a consonance by la. In both relations la reports do 

 as concomitant 5 and /a as concomitant 1. Regnant 

 IV again enriches melody with new intervals result- 

 ing from combinations of its components/a, la and do. 

 A few examples appear below. 



i 



IV 



IV 



IV 



35 13 5 3 351 351 531 



i 



^ 



lf=t 



m 



?==; 



¥ 



W 



I 



3 5 



IV I IV I 



135135 5135 



IV 

 13 5 1 



s 



^ 



'■i ' 'i 



IV 



