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The bytone do plays on regnant ti and re, the 

 by tone mi plays on regnant re and /a. The cadences 

 of regnant la to regnant sol and <i appear in the 

 first two measures and are emphasized through 

 jermaias in the last two measures. These steps of 

 do, mi and la are the only cadences in our example, 

 all the other steps being progressions from one reg- 

 nant tone to another. 



C. Regnant IV has four diatonic bytones. They 

 are mi 3, sol 5, ti 3, re 5. Unless we generate the 

 feeling of regnant IV we cannot perceive the true 

 harmonic relations and reports of its bytones. In the 

 subjoined example of the common reports of these 

 bytones the feeling of IV is generated in the opening 

 measures. 



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