ACCENT AND REGNANT HARMONY 145 



these scales are related to the original scales of the 

 Tonic. In these scales there are four forms of tetra- 

 chords as the subjoined groups of symbols of whole 

 and half steps show. 



1. 2. 3. 4. 



I---I I--- I I ---I I---I 



I here present the septonal conjunct forms of these 



scales. 



'' -^-^ "-^ 



do —re —mi ^s^ Fa — sol — la — ti 



ti^do —re — Mi ^^fa — sol —la 



la — ti v_^ do — Re — mi -^^fa — sol 



Sol—La — Ti^^ Do —Re —Mi v^ Fa 



fa — sol — la — Ti s.^ do — re — mi 



mi ^^fa — sol — La — ti >w^ do — re 



re — mi -^^^ fa — Sol — la — ti s»^ do 



The above capitalized syllables of the central 

 Tonic-septonate and those marking the centre of each 

 individual septonate form a Greek cross which ap- 

 positely suggests the Greek modes, which I next pre- 

 sent in their octonal form of disjunct tetrachords. 



^ — & — P5 



-^2 ^ 



La to La Sd \o Sd 



Fa to Fa Mi to Mi 



i 



