ORIGIN AND NATURE OF MINOR 

 131 153513 1 



195 



Major 



t 



w=^i-r~cj^ s. 



Next in their third and regnant stage. 



5 3, .531 



Minor 



^ 



M 



^ 



t 



m 



3 



Y * i Y 



, 3 5 1. 



i 



^ 



S 



^ 



^^ 



- F 

 3 1 



J 



3 5 



* 

 V 



Major 



m 



e 



5 3 



■* a- 



5 1 5 3 13 



I 



11 



-V 



V 



Everywhere in all the above and previous examples 

 the common harmonic self-reports demonstrate the 

 fundamental implication of rhythm, therefore the 

 operation of the shaping principle of equilibrium, in 

 short, the uniform laws of psychological causation in 

 homophony. 



The absence of the diatonic sol in the minor group 

 of seven tones thus far presented raises this question : 



