250 



THE NATURE OF MUSIC 



tonic-triads ii in major and //° in minor. Thus in 

 each mode there are three primary and three secon- 

 dary triads. We first present the harmonic analysis 

 of the major and minor submediant-triads. 



3 5-13 



VI. 



= VI. 



It is only in certain relations that these triads make 

 the above self-reports. They do so when they appear 

 as bychords on light rhythm-periods each before and 

 after the primary triads of which they are compounds. 

 See below: — 



^ Major 



^m 



^ 



-Zir 



-7^ 



sr 



IV ^i IV 



N.B. 



VI 



NJB. 



IV 



ri jy I VI I 



N.B. N.B. 



* This example and those on pp. 251 and 252, not found in the MS., were 

 supplied by Miss Luise Haessler. L. E. K. 



