INDEX 



Accent, 31, 42-44, 99, 120; efficient, 

 24, 25, 27, 54, 55, 95, 102, 105, 108, 

 109, 112, 113, 117, 125-127, 130-133, 

 149, 176, 178, 188, 194, 206, 218, 

 219; measure, 149; relative, 43, 44, 

 99; rhythmic, 12, 32, 46, 53, 107-109, 

 286; rhythmo-harmonic, 25, 105; 

 syllabic, 149; time-, 32. 



Acoustic numbers, 227. 



Acoustic series, 20, 227. 



Acoustic theory, 230. 



Acoustics, 17, 227; laws of, 244; physi- 

 cal, 4, 19,20, 21, 70; psychological, 

 19. 



^Esthetics,10, 21, 22, 75. 



Alto, 278. 



Ambrosian melodies, 147. 



Analysis, acoustical, 9; of feeling, 9; 

 harmonic, 58, 68, 83, 116, 137, 235, 

 250, 259, 265, 272, 274, 275; of mu- 

 sic, 28; rhythmo-harmonic, 289. 



Aristides, 148. 



Aristotle, 148. 



Aristoxenus, 148. 



Arnold, Matthew, 175. 



Bach, 5, 86, 98, 118, 146, 170, 174, 175, 



196-198, 289. 



Balance, 13, 31, 32, 42, 152, 162; per- 

 fect, 33, 41, 44; relative, 44; rhyth- 

 mic, 31, 32. 



Balanced motion, 10, 30, 33, 38, 162. 



Balanced sound, 30, 33, 38. 



Balanced time-periods, 32. 



Bass, fundamental, 277-279; given, 

 279-285, 287; thorough, 259, 267, 

 269, 270, 274. 



Beat, 130, 163, 168. 



Beat-periods, 160, 162. 



Beethoven, 5, 132, 146, 150, 170, 174, 

 175. 212, 213, 266, 276, 289. 



BerUoz, 49, 171. 



Biads, 245-247, 251-253; compound, 



245-256; in minor, 248, 255, 256; 



parallel, 255. 

 Bird -melodies, 116. 

 Bird-songs, 56, 58, 59, 61, 171, 176. 

 Bond-tone, 63, 76, 122, 123, 132, 136, 



190. 193, 235, 277; original, 122. 

 Brahms. 49, 171. 



Bychord, 141. 



Byharmony, 106, 109-113,116,117,126, 

 127, 141, 187, 205, 287; relative. 111. 



Bytone, 106, 107, 109-113, 116-123, 

 126, 127, 132, 194. 198, 199, 201, 

 203, 204, 206-210, 255, 256, 261; 

 diatonic, 118-120; report (harmonic, 

 self-) of, 118, 119, 219;= (tone-ca- 

 dence), 121. 



Cadence, 29, 54, 56, 69, 103, 122, 129, 

 142, 177, 180, 206, 208, 211, 214, 

 216, 223; closing, 123; double, 136, 

 192; faUing, 92, 97, 136, 187, 190; 

 five original cadences, 91-96; harmo- 

 nic, 130, 131, 133; original, of Minor 

 Mode, 185-198; prototype, 185, 192; 

 rhythm-, 42-45, 50, 53, 67, 111, 120, 

 121; rising, 92, 97, 136, 275; single, 

 136; thread of harmony, 54; tone-, 

 45-48, 55, 86, 91, 121. 



Cadence-chord, 99. 



Cadence-harmony, 45-48, 58, 62, 111; 

 original, 45-47; genesis of, 61-67. 



Cadence-moment, 42, 44. 



Cadence-relation, 113. 



Cadence-repose, 43, 53. 



Cadence-tone, 46, 47, 57-59, 61-66, 

 92, 96-100, 106, 107, 113, 135, 136, 



191, 192, 235, 257; (prototype), 191, 

 194, 208; (original), 46, 92, 98, 106, 

 135, 136. 



