310 



INDEX 



Elevenths, 89, 93. 

 Enharmonic harmonies, 271, 274. 

 Enharmonic scale-system, 95. 

 Enharmonic stage of tonality, 95. 

 Equilibrium, 10-14, 21, 24, 28, 30, 31, 



33, 41-43, 48, 51, 112, 113, 151, 153, 

 164; cardinal principle, 36, 162; = 

 (harmony), 10-15, 30 ; harmonic, 125 ; 

 relative, 133; rhythmic, 125; rhyth- 

 mo-harmonic, 125;= shaping princi- 

 ple, 10, 11, 24, 41, 51, 120, 130, 195; 

 stable, 43, 54, 67, 116, 127, 178; un- 

 stable, 43, 54, 67, 116. 



Evolution, 1, 4, 5, 13, 15, 16, 39, 56, 70, 

 94, 96, 103, 104, 110, 130, 176, 177, 

 193, 215, 223-225, 233; harmonic, 

 40-42, 104, 225. 



Evolution of perception, 52, 165. 



Expansion of subrhythm and rhythm, 

 160-175. 



Eye, 73, 74, 260, 268. 



Feeling, 26, 34, 36, 40, 41, 44, 60, 68, 



72, 79, 80, 178, 184; (common, com- 

 mon music-, music-), 2, 5, 6, 8-10, 

 13, 15, 16, 18-21, 24, 28, 29, 32, 33, 

 35, 37, 43, 45, 51-53, 62, 66, 69, 76, 

 78, 86, 88, 91, 104, 108, 139,140, 147, 

 153, 161, 176, 179, 181, 197, 226, 228; 

 common report of common, 17-22, 

 108, 147; rhythm-harmonic, 278; 

 tone-rhythmic, 10, 11, 12. 



Feeling of cadence, 62. 



Feeling of dissonance, 46, 54, 55. 



Feeling of music per se, 7, 9, 22. 



Feeling of rhythm, 33. 



Feeling of repose, 62. 



Fifth, 25-27, 29, 30, 35, 37, 40, 41, 47, 

 59, 60, 63, 67, 84, 85, 89, 108, 123, 

 138, 140, 179, 187, 200, 206, 217, 

 285, 287; chord-, 234, 238, 240, 241, 

 248, 275; consecutive, 277; dimin- 

 ished, 137, 234; harmonic, 135, 234; 

 large, 223, 224; parallel, 131; pure, 



34, 36, 61, 76-78, 81,82, 120, 137; 

 small, 223. 



Folk-melody, 172, 174. 



Folk-song, 4, 15, 16, 77, 79, 81, 84, 

 116, 172. 



Form, 5, 7-15, 17, 21, 24, 28, 49, 51, 

 66, 68, 70, 75, 79, 83, 85, 89, 90, 99, 

 103, 104, 133, 134, 145, 155, 160-162, 

 165, 167, 170, 171, 173, 178-180, 

 206, 216, 217, 219, 220, 221, 224, 

 232, 234; chord, 71, 72; classic, 160- 

 175;elemental, 20, 22, 30; harmonic, 

 4, 8, 9, 10, 23, 25, 30, 33-35, 41, 42, 45, 

 48, 50, 62, 67, 73, 83, 93, 111, 112, 

 122, 124, 129, 139, 182, 214, 233, 

 286 ; prototype of harmonic, 95 ; orig- 

 inal harmonic, 26, 95; rhythmic, 23, 

 32, 44, 50, 111, 129, 130, 164, 168, 

 286; rhythmo-harmonic, 24, 279, 288; 

 space-, 14; time-, 14; tone-rhythmic, 

 8; universal, 7, 12, 43. 



Form of consonance, 7, 8, 53, 116, 125, 

 184, 185, 204, 205, 214, 222, 223, 231. 



Form of dissonance, 7,8,53,116,125, 

 214, 222, 223, 227, 231. 



Form of regnant minor dominant, 216- 

 218. 



Form in space, 13, 104. 



Form in time, 13, 104. 



Fourth, 36, 59; augmented, 138; pure, 

 137, 138. 



Fugue, 181. 



Fugue-subject, 118. 



Fugue-theme, 198. 



Fundamental bass, 277-279. 



Fundamental forms of harmony, 85. 



Fundamental forms of tone, 53. 



Fundamental principles, 8, 175, 288. 



Gevaert, 146. 

 Given bass, 285-287. 

 Goethe, 11, 14. 

 Greece, 16, 17. 

 Greek melodies, 146-149. 

 Greek modes, 145, 146. 

 Gregorian chants, 148, 149. 

 Gregorian melodies, 147. 



Harmonic, 34-36, 41, 45; compound, 

 90, 263; concomitant. 59, 62; double. 



