INDEX 



811 



211, 248; elementary, 35, 37, 40, 41, 

 193; simple, 90, 263. 



Harmonization, 74, 149, 156, 287. 



Harmony, 1-7, 9, 13, 19, 20, 21, 24, 33- 

 35, 49, 51, 52, 63, 75, 76, 79, 86, 90, 

 93, 99, 103, 120, 122, 129, 135, 136, 

 138, 142, 144, 150, 154, 156, 158, 

 159, 171-173, 177, 178, 185, 189, 

 190, 197, 199, 206, 210, 213, 215, 

 217, 218, 221, 226, 242, 243, 248, 

 256, 269, 279, 283-289; acoustic 

 theory of, 230; basis of, 33, 68, 69, 

 102; cadence-, 45-48, 58,62, 111; 

 chord-, 68-74, 147; chromatic, 201, 

 202, 205, 219, 220. 271; compound 

 of, 263, 265, 266, 270; concomitants 

 of, 131, 140, 148, 149, 202, 211, 224, 

 284, 285, 287; = (consonance), 91; 

 contrapuntal, 70; diatonic-, 118, 124, 

 140, 201-203, 205, 216, 218; = (dis- 

 sonance), 91; dominant-. 58, 60, 61, 

 65, 75, 77, 83, 84, 90, 93, 108, 183, 187- 

 189, 198, 249; double, 211, 212; du- 

 plicate forms of, 184, 185; = equilib- 

 rium, 10-15, 30, 150, 151; enhar- 

 monic, 271, 274; expansion of, 77, 

 110; evolution of, 103, 176, 224, 233; 

 five components of, 89-91; genesis 

 of, 54, 102, 109; homophonic, 70, 102, 



105, 205, 229, 230; major, 185; major 

 tonic-, 54-57-61, 64, 65, 91, 98, 105, 



106, 183, 184, 193, 229; minor, 124, 

 139, 185 ; minor tonic-, 178-180, 184- 

 187, 198, 214, 221, 230; multi-voice, 

 75, 147; original (in one voice), 4, 

 24, 25, 28, 36-40, 47, 49, 50, 61, 64, 

 66-71, 73-75, 85, 87, 88, 102, 104, 

 124, 133, 139-141, 147-149, 182, 184, 

 211, 244; original cadence-, 45-47; 

 original forms of, 184-185; personal, 

 71, 283 ; polyphonic, 70 ; potential, 26- 

 27, 74, 77, 110, 181 ; regnant, 24, 25, 

 53-55, 58, 60, 65, 67, 83-85, 88, 98, 

 104-113, 115-118, 125-127, 129-133, 

 141, 149, 183, 186, 188, 193, 194, 198, 

 201, 208, 209, 214, 220, 221, 223, 224, 

 255, 261-264, 267, 268, 272-276, 287; 



relative, 54, 55, 111 ; repose-, 45-48, 

 62, 111 ; selective, 286; subdominant, 

 58, 60, 61, 108, 198, 248; tiieory of, 

 51 ; thread of, 35, 37, 38, 41, 54, 63, 79, 

 80, 81, 84, 96, 107, 109, 124, 133, 134, 

 137, 139-141, 143, 178, 183, 188, 193, 

 224; = tone, 23, 28; tone-rhythmic, 

 10; tonic-, 33, 45, 54, 56-58, 60, 61, 

 64, 65, 83, 84, 93, 106, 179, 183, 186, 

 187, 193, 214, 229, 230, 249, 260; 

 treatise on, 19, 68, 244. 



Harmony of sound, 23, 75, 147. 



Hauptmann, M. 19, 244. 



Haydn, 174. 



History, 4, 40, 65, 66, 68, 111, 165. 



Homer, 16. 



Homophony, 4-6, 7, 68, 102-105, 

 194, 195, 202, 223, 226, 232-234, 

 249. 



Instrument, 165, 166. 



Interval, 36, 59, 76, 88, 89, 93, 96, 113- 

 115, 138, 187, 189; chord-, 91, 137; 

 diminished, 93; evolutionary se- 

 quence of, 60; harmonic, 91, 136, 137, 

 232; major, 75, 139; minor, 75, 

 139. 



Interval of concurrence, 137. 



Interval-number, 93, 139. 



Interval-relation, 80. 



Interval of succession, 137. 



Key, 48, 61, 87, 96, 239, 262; fifth re- 

 lated, 123; interharmonic relations of 

 one, 94. 



Key-centre, 220. 



Keynote, 27, 60. 



Key-relation, 60, 88. 



Leading tone, 61. 

 Liszt, 49, 203. 



MacDowell, 49. 



Major, cadence -seventh -chord, 1S5; 



pure diatonic, 203. 

 Major chord, 227, 232. 

 Major consonance, 7, 33-36, 40, 41, 45, 



