sn 



INDEX 



46, 55, 91, 95, 111, 124, 176, 177, 179, 

 180, 190, 204, 219, 221, 223 (origi- 

 nal), 35, 55. 



Major dissonance, 124, 180, 190, 209, 

 214, 222, 223, 231. 



Major dominant, 47, 63, 67, 77, 188, 

 189, 206, 207, 239, 249, 262. 



Major dominant-harmony, 183, 187, 

 189. 



Major dominant-thread, 235. 



Major downleader, 192. 



Major harmony, 185. 



Major mode, 33, 41, 46, 56, 75, 85, 88, 



91, 95, 124, 139-141, 176, 178, 181, 

 182, 186, 187, 191, 210, 214, 215, 

 236; (prototype), 95, 180, 181, 185, 

 191, 200, 214. 



Major ninth, 76, 77, 82, 137. 



Major second, 255. 



Major sixth. 36, 138. 



Major subdominant, 188. 



Major subdominant harmony, 187. 



Major subdominant - seventh - chord, 



254. 

 Major subdominant triad, 235. 

 Major submediant-seventh-chord, 254. 

 Major subtonic, 253, 256. 

 Major supertonic triad, 251. 

 Major tenth, 36. 

 Major tetrachord, 214. 

 Major third, 34, 36, 61, 76-78, 81, 82, 



120, 137, 138. 

 Major tonality, 67. 

 Major tonic, 41, 47, 60, 63, 65, 67, 77, 



92, 98, 103, 105-108, 111, 180, 181, 

 185. 



Major tonic-harmony, 54, 57-61, 64, 



65, 91, 98, 105, 106, 183, 184, 193, 



229. 

 Major triad, 90, 133, 237, 251, 262, 



268. 

 Major upleader, 187, 192. 

 Measure, 168, 286; dual, 161, 168; 



triple, 161. 

 Measure-period, 162, 260, 261. 

 Medicant, 144. 

 Medicant scale, 146. 



Medicant-triad, 248-250. 



Meistersinger, 146. 



Melody, 1-6, 9, 14, 15, 24, 25, 28, 37, 

 39, 40, 41, 47-52, 54, 56, 60, 64, 67, 

 71, 72, 74, 78, 79, 85, 91, 93, 98-100, 

 121, 124, 130, 132, 140, 147, 148, 

 154, 155, 172, 177, 178, 180, 186, 

 187, 192, 193, 197, 198, 200, 202, 203, 

 205, 206, 208, 209, 211, 214-217, 

 220-224, 276, 280, 281, 284-289; 

 analysis of, 65; ancient, 149; a com- 

 posite, not an element, 23, 24 ; bird-, 

 116, 183; ecclesiastical, 116; embry- 

 onic, 106; folk-, 184; Greek-, 116, 

 149; homophonic, 6, 24, 215, 223, 

 227, 230, 233, 288; mediaeval, 4; 

 minor, 221; modern, 182; penta- 

 tonic stage of, 113; primitive, 64, 

 104, 109, 176, 182-184, 225; pure 

 diatonic minor, 216; regnant har- 

 mony of, 102-175. 



Meloharmonic phrase, 187. 



Meloharmonic point, 120, 142. 



Meloharmonic resolution, 142. 



Meloharmony, 24, 104, 120, 142, 197, 

 285. 



Mese, 148. 



Metre, 33, 168. 



Minor, 123, 139, 195, 209; imitation of 

 major, 180, 181, 185-187, 200, 205, 

 214; inverted major, 227; origin and 

 nature of, 176-184; pendant, 181, 

 226, 228, 230; pure diatonic, 202, 

 203, 216; relative, 181. 



Minor cadence, 180, 192. 



Minor cadence-tone, 186-188. 



Minor consonance, 59, 91, 177-180, 

 183-185, 190. 201, 203, 214-218, 

 221-223, 231; (origin of), 176-184. 



Minor dissonance, 185, 188, 190, 198, 

 214, 222, 223, 231. 



Minor dominant, 187-189, 198, 200, 

 201-203, 204, 206-218, 220. 



Minor dominant-triad, 235. 



Minor downleader, 192. 



Minor forms of consonance and disso- 

 nance, 185, 214, 222, 223, 231. 



