INDEX 



315 



Potential harmony, 26, 27, 74, 77, 110, 

 181; principle of, 26, 27. 



Primes, 93. 



Principle, 3, 7, 12-14, 16, 17, 19, 21, 

 22, 40, 47, 65, 66, 140, 151, 166, 182, 

 197, 198, 200; cardinal-, 15, 21, 28; 

 fundamental, 8, 175; rhythmo-har- 

 monic, 286; shaping, 10, 11, 24, 28, 

 31-33, 36, 41, 48, 50, 51, 120, 130, 

 149, 161, 162, 171-173, 195; miiversal, 

 of form and relation, 12-14. 



Principle of harmonic genesis, 27, 38, 

 65, 105, 125, 181. 



Principle of music, 3, 7, 8, 15, 21, 22, 

 24, 50, 149. 



Principle of potential harmony, 26, 27. 



Principle of tone genesis, 95. 



Progression, 13, 48, 96-98, 112, 113, 

 115,119,142, 152, 187,192,220,275. 



Prototype, 95, 124. 



Prototype cadence, 185, 192. 



Prototype cadence-tone, 191, 194, 208. 



Prototype chord, 140. 



Prototype consonance, 95, 124, 133, 



184, 185, 221, 231. 



Prototype dissonance, 95, 124, 134, 185, 

 188, 221, 231. 



Prototype dominant, 206. 



Prototype downleader, 95, 192. 



Prototype five original percepts, 95. 



Prototype of harmonic forms and re- 

 lations, 95, 



Prototype of harmonic percept and 

 step in minor, 200. 



Prototype major harmonic percept, 

 200. 



Prototype major mode, 95, 180, 181, 



185, 191, 200, 214. 

 Prototype ninth, 208. 

 Prototype repose, 185. 

 Prototype upleader, 95, 192, 194. 



Rameau, 264. 

 Regnant bytone, 287. 

 Regnant dissonance, 127, 128. 

 Regnant dominant, 188, 207, 210. 

 Regnant harmony, 24, 25, 53, 54, 55, 



58, 60, 65, 67, 83-85, 88, 98, 104- 

 113, 115-118, 125-127, 129-133, 

 141, 149, 183-188, 193, 194, 198, 

 201, 208, 209, 214, 220, 221, 223, 

 224, 261-264, 267, 268, 272, 274-276, 

 287. 



Regnant harmony in one voice, 102- 

 133. 



Regnant major dominant, 188, 206, 

 207. 



Regnant major subdominant, 188. 



Regnant major tonic, 108, 185. 



Regnant minor consonance, 218. 



Regnant minor dominant, 188, 206-218. 



Regnant minor subdominant, 188, 218- 

 222. 



Regnant minor tonic, 199-206. 



Regnant ninth, 210. 



Regnant root, 208. 



Regnant subdominant-harmony, 108. 



Regnant third, 210. 



Regnant tones, 106-112, 116-118, 120- 

 123, 126, 193, 199, 207, 208, 210, 

 211, 214, 216, 256, 261, 274, 287. 



Regnant tonic-harmony, 102-133. 



Relation, 5, 6-9, 15, 17, 20-30, 41, 48, 

 56, 58, 61, 64, 66, 75-81, 84-86, 89, 



92, 95, 99, 107, 110-112, 115, 120, 

 123, 127-129, 133, 135, 136, 140, 143, 

 152, 179, 182, 185, 186, 190-193, 

 198, 200, 203, 205, 207, 211, 212, 

 214, 233, 234, 248-251, 253, 255, 

 256, 266, 276, 280, 281, 285, 286; 

 elemental, 22, 23 ; fifth-, 123, 249 ; har- 

 monic, 7, 22, 26, 27, 29, 35, 37-39, 

 50, 60, 62, 65, 67, 76-78, 83, 87, 88, 



93, 100, 105, 106, 109, 111, 112, 119, 

 122, 124, 141, 177, 247; prototype 

 harmonic, 95; interval, 80; inter- 

 harmonic, 91, 93, 94; key-, 60, 88; 

 mode, 88, 91, 94, 108, 180; prototype 

 mode-, 185; original harmonic, 15, 26, 

 27, 95, 107, 136; rhythmic, 22, 44, 50, 

 53,55, 103, 177; rhythmo-harmonic, 

 14, 23, 24, 98; space-, 14, 22, 23, 30, 

 38; time-, 14, 22, 30, 38, 79, 104; 

 tone-, 22, 24, 30, 42, 45, 48, 56, 58, 62, 



