316 



INDEX 



67, 78, 89, 94, 98, 104, 180, 214, 224, 



278; tonic and dominant, 196. 

 Relation of cadence and repose, 44-47, 



50, 53, 55, 63, 85, 91, 98, 103. 

 Relation in space (harmony), 79. 

 Report (common, harmonic, self-), 19, 



112, 120, 179, 186, 195, 202, 220, 227, 



230 ; common, of common feeling, 17- 



22. 

 Report of biad, 246, 247. 

 Report of by tone, 118, 119, 219. 

 Report of chord, 134, 135, 138, 139, 



141, 233, 234, 245, 247, 255, 259, 



266. 

 Report of common feeling and percep- 

 tion, 5, 19, 22, 24, 28, 45, 66, 69, 88, 



108, 135, 181, 230. 

 Report of harmonic numbers, 88, 283, 



284. 

 Report of harmony, 24, 38, 47, 66, 67, 



85, 148, 209, 230, 262, 264, 276, 283. 

 Report of homophony, 5, 6, 215, 230, 



232, 288. 

 Report of melody, 108, 148-149, 176, 



179, 181, 182, 215, 216, 223, 224, 279, 



283, 284, 288. 

 Report of mode, 215. 

 Report of tone, 85, 89, 90, 135, 177. 



214, 216, 233, 246, 247. 

 Report of triad, 232, 233, 248, 262. 

 Repose, 41, 56, 61, 68, 92, 103, 116, 



123, 129, 130, 133, 142, 148, 177, 



178, 180, 185, 190, 214, 216, 223; 



rhythm-, 42-45, 50, 53, 67, 111, 120, 



121 ; tone-, 45-48, 55, 62, 63, 67, 91, 



96-100, 121, 190-192, 201. 

 Repose-harmony, 45-48, 62, 111. 

 Repose-moment, 42, 44. 

 Repose-thread (of harmony), 54, 55, 



67, 91, 97-99. 

 Resolution, 48, 54, 55, 62, 64, 93, 96- 



98, 112, 113, 115, 135, 142, 152, 192, 



220. 235, 275. 

 Rhapsody, 203. 

 Rhythm, 1, 6-10, 12-14, 17, 20, 22- 



24, 28, 30, 33, 38, 48, 50-52, 54, 56, 



63. 65, 74, 79, 83, 89, 98-100, 103, 



104, 130, 148-153, 158, 160-163, 

 171, 176, 180, 229, 286-289; analysis 

 of, 31-33; = balanced -motion, 10. 

 30, 33, 38, 162; cadence, 42-45, 50, 

 53, 67, 111, 120, 121; dual, 29, 32, 

 43, 99, 173; music-, 30, 32, 42, 50, 51, 

 158, 165, 167, 171; tone-, 7, 9, 10, 

 14, 15, 29, 48, 152, 154, 155, 171, 

 172; triple, 29, 32, 99. 



Rhythm-numbers, 161. 



Rhythm-period, 12, 32, 33, 125, 127, 

 129, 153, 193, 250, 286. 



Rhythm-repose, 42-44, 45, 50, 53, 67, 

 111, 120, 121. 



Rhythmo-harmonic accent, 25, 105. 



Rhythmo-harmonic analysis, 289. 



Rhythmo-harmonic content of melody, 

 279, 288. 



Rhythmo-harmonic equilibrium, 125. 



Rhythmo-harmonic feeling, 278. 



Rhythmo-harmonic form, 24, 279, 288. 



Rhythmo-harmonic laws of causation, 

 224. 



Rhythmo-harmonic point, 25, 105. 



Rhythmo-harmonic principles, 286. 



Rhythmo-harmonic relation, 14, 23, 24, 

 98. 



Rhythmo-harmonic thought, 278. 



Rhythmo-harmonic voice of music, 153, 

 205. 



Richter [Ernst F. E.], 249. 



Riemann, 181, 226, 230. 



Root, 25-27, 29, 30, 34-37, 40, 41, 47, 

 51, 60, 61, 63, 67, 75-77, 80, 81, 84, 

 85, 88-90, 93, 108, 113, 118, 123, 

 142, 179, 180, 185, 189, 217, 223, 

 227, 232, 234, 285, 287; chord-, 135, 

 136, 140, 232, 234, 237-243, 245, 

 248, 249, 258-261, 268, 274, 275, 278; 

 harmonic, 135, 136, 181, 189, 232, 

 234, 258, 260, 272. 



Round-song, 181. 



Scale, 141, 142, 192, 205, 217, 230; 

 ascending, 97, 228; descending, 97, 

 229; diatonic, 144, 192; Dorian-, 229; 

 enharmonic, 215; great, 64; major. 



