INDEX 



317 



26, 86, 143, 203; mediant, 146; melo- 

 dic minor, 201, 203; octonal, 144, 

 146; original, of the tonic, 145; pen- 

 dant minor, 228; pentatonic, 64, 65, 

 109; primitive, 64; septonal, 146; 

 small, 64; supertonic-, 146; tonic-, 

 146; Zarlino-Riemann, 228, 229. 



Scale-numbers, 86-88, 94. 



Scale terminals, 143, 144. 



Schopenhauer, 14. 



Schumann, 49. 169, 171. 



Selection, 75, 140, 149, 183; natural, 

 17, 70, 71, 85; personal, 70-72, 85, 

 176,177,230. 



Sense, harmonic, 69, 121, 147, 148, 182; 

 music-, 165. 



Septimenaccord, 269. 



Septonate, The, 24, 98, 104. 



Sequence, 6, 9, 25, 40, 51, 52, 60, 64, 

 65, 102, 105, 181, 278. 



Seventh, 25-27, 29, 30, 41, 47, 61, 63, 

 65, 67, 76-78, 81, 82, 85, 87, 89, 134, 

 135, 137, 223, 268, 269, 287; dimin- 

 ished, 234; harmonic, 234, 268, 269; 

 minor, 76-78. 137; small, 222, 223; 

 thorough-bass, 268. 



Shaping principle, 10, 11, 24, 28, 31- 

 33, 36, 41, 48, 50, 51, 120, 130, 149, 

 161, 162, 171-173, 195. 



Silence, 1, 7. 



Sixth, 36, 59, 138, 139. 



Sonata, 116, 155, 173, 174, 212, 266. 



Songs, 4, 15, 43, 53, 56, 157, 165; bird, 

 56. 58, 59, 61, 171, 176. 



Soprano, 287. 



Sound, 1, 7, 8, 21, 33, 34, 38, 43, 51, 

 55, 165, 166. 



Space, 12-14, 22, 23, 30, 38, 79, 104, 

 122, 150, 153. 



Spencer [Herbert], 68. 



Step, 36, 59, 60, 64, 81, 87, 92, 93, 96, 

 98, 112. 119. 125, 137, 138, 142, 144, 

 145, 200, 209, 214, 228, 275. 



Strauss [Richard], 171. 



Stringed instrument, 166. 



Student, 39, 59, 73, 87, 93, 96, 99, 100, 

 101, 139, 163, 164. 277, 279, 280, 



282-289; work for, 101, 164, 261, 



284, 286-288. 

 Study of music, 1, 6, 21, 28, 289. 

 Stumpf, C, 21. 

 Subbeat-period, 160. 

 Subdominant, 144. 187. 188, 204, 253; 



regnant minor, 218-220. 

 Subdominant-harmony, 58, 60, 61, 108, 



198. 

 Subdominant seventh chord, 254. 

 Subdominant triad, 235, 251, 262, 264. 

 Subfix-tone, 257, 

 Subharmony, 85, 88. 

 Submediant, 144, 253, 263. 

 Submediant seventh-chord, 254, 256. 

 Submediant triad, 249-250, 256, 263. 

 Subrhythm, 161-163, 167-170, 288; 



compound, dual, mixed, triple, 286. 

 Subsecond. 261, 268. 

 Subsecond-chord, 261, 262, 265, 267- 



270. 

 Subtonic, 144. 

 Subtonic-chords, 253, 256. 

 Subtonic seventh-chord, 235, 254. 

 Subtonic-triad, 251-253. 

 Superfix-tone. 257. 

 Supersixth. 261, 268. 

 Supersixth chord, 261-264, 267-270, 



271. 

 Supertonic, 144, 253. 

 Supertonic seventh-chord, 254. 

 Supertonic-triad. 251-253. 256. 

 Syllables, 43, 61, 86-88, 94, 99, 100, 



144, 145, 186, 189, 229. 

 Symbols, 30, 33, 61, 73, 86-89, 94, 135, 



145, 159, 161, 164, 180, 275, 276, 

 279. 



Symphony, 116, 155, 173, 174, 212, 266. 

 Syncopation, 169. 



Technique, 93, 100. 



Temperament, 95, 96. 



Tempo, 86. 



Tenor, 287. 



Tenths, 36. 



Tetrachord, 142-146, 200, 202, 208, 214. 



Tetrad, 269-272; compound, 272. 



