318 



INDEX 



Theme, 214. 



Theory, 3, 16, 17, 20, 22, 51, 52, 69, 70, 

 89, 181, 200, 226-228, 233, 234, 244, 

 269, 289; acoustic, 230; Zarlino- 

 Riemann-, 181, 226, 230. 



Theory of pendant minor, 226, 227. 



Third, 25-27, 29, 30, 34-37, 40, 41, 47, 

 59-61, 63, 65, 67, 76, 81, 82, 85, 89, 

 93, 108, 120, 137-139, 178, 179, 184, 

 187, 189, 200, 206, 210, 211, 223, 224, 

 285, 287; double, 211, 212; harmonic, 

 135, 137, 234; major, 34, 36, 61, 76- 

 78, 81, 82, 120, 137, 138; minor, 36, 

 137, 138; superadded, 257. 



Thirteenth, 82, 89. 



Thorough-bass, 259, 267, 269, 270, 274. 



Thread, cadence, of harmony, 54; 

 consonance, 37, 143; dissonant, 143; 

 dominant, 47, 82, 84; harmonic, 35, 

 36, 37, 38, 41, 54, 63, 79, 80, 81, 84, 

 96, 107, 109, 124, 133, 134, 137, 139- 

 141, 143, 178, 183, 188, 193,224; 

 repose-, 54; tonic-, 47, 59. 



Time, clock, 174; mathematical, 174 ; 

 rhythmic, 174 ; rhythmic period of, 38, 

 42. 



Time-accent, 32. 



Time-period, 32, 33, 38. 



Time-relation, 14, 22, 30, 38, 79, 104. 



Tonality, 1. 39, 41, 56, 60, 61, 65, 67, 

 77, 94-96, 103, 215, 224. 



Tone, 5-10, 13, 17, 25, 28, 29, 35-37, 

 44, 46, 50, 53, 55, 74, 87, 88, 94-97, 

 109, 112, 114, 117-119, 124, 127, 

 133, 136-138, 140-142, 144, 148, 

 153, 156, 165, 176, 182, 189, 190, 

 192, 198, 201, 205, 206, 208, 210, 212, 

 215, 228, 232, 233, 235, 239, 243, 247; 

 accented and unaccented, 43; added, 

 262-264, 268, 274; analysis of, 33- 

 35; =balanced sound, 30, 38; bond-, 

 63, 76, 122, 1 23, 285 ; cadence-, 46, 47, 

 67-59, 61-66, 92, 96-100, 106, 107, 

 113, 135, 136, 191, 192, 235, 257; 

 (prototype), 191, 194, 208 ; chord-, 86 ; 

 component, 85, 103, 106, 234 ; elemen- 

 tary, 34, 79; = equilibrium, 30, 125; 



harmonic thread of a, 35-36 ; hfirmo- 

 nic, 38, 86; harmonic complex of, 34, 

 35, 37, 40, 41 ; harmonic pedigree, 224- 

 231; = harmony, 30, 33; infix, 257; 

 initial, 247; isolated, 34, 37, 40, 41, 

 45, 55, 59, 60, 108, 177; leading, 61 ; 

 melodic-, 86; mode-, 87, 93, 94; origi- 

 nal, 26, 27. 75, 76, 85, 107, 233; 

 original cadence-, 46, 92, 98, 106, 135, 

 136; original repose-, 46; physical, 

 20; pitching a, 54; regnant, 106-112, 

 116-118, 120, 121, 123, 126, 193, 

 199, 207, 208, 210, 211, 214, 216, 

 256, 261, 274, 287; repose-, 46, 62, 

 63, 67, 86, 96-100, 257; seventh, 82; 

 seven original, 26, 27, 75-86, 103, 

 107, 225, 226; single, 68, 79, 135, 139; 

 stable, 257-260; subfix-, 257; super- 

 fix-, 257; terminal, 82; thirteenth-, 

 82; three stages of, 193, 194; un- 

 stable, 257-260. 



Tone-cadence, 45-48, 55, 86, 91, 121. 



Tone-feeling, 28. 



Tone-genesis, 33, 51, 54, 95. 



Tone-material, 214, 220, 221, 257. 



Tone-moment, 23, 153. 



Tone-region, 141-149. 



Tone-relation, 22, 24, 30, 42, 45, 48, 56, 

 58, 62, 67, 78, 89, 94, 98, 104, 180, 



214, 224, 278. 



Tone-repose, 45-47, 55, 62, 63, 67, 91, 



96-100, 190, 192, 201, 221. 

 Tone-rhythm, 7, 9, 10-14, 15, 29, 48, 



152, 154, 155, 171, 172. 

 Tone-system, 1, 27, 39, 65, 95, 147, 205, 



215, 224, 233. 



Tonic, 84, 90, 93, 229, 253, 272; ma- 

 jor, harmony, 33, 41, 45, 47, 54-61, 

 63-65, 67, 77, 83, 84, 90-93, 98, 

 103, 105-108,111,180,181,183-187, 

 193,221,229, 260; minor, harmony, 

 179, 180, 181, 184-187, 199-206, 214, 

 221, 230; rhythmic, 120. 



Tonic-centre, 143. 



Tonic-chord, 66. 



Tonic components, 83. 



Tonic-root. 76. 



