THE SENSE OF HEARING. 833 



might thus be termed sense organs for the perception of noises. Evidence 

 will be adduced later (p. 848) for the belief that they are peripheral organs 

 for the preservation of static equilibrium. 



The hair-cells on the cristse of the ampullae of the semicircular canals seem 

 to have a special function in giving rise to sensations caused by changing the 

 position of the head ; they thus are organs concerned with the preservation of 

 the equilibrium of the body. 



Judgment of Direction and Distance. The distance and direction from 

 which sounds come to the ear are not perceived directly, but our estimate of 

 them is a judgment based on the loud ness and quality of the sound sensation, 

 combined with a power of reasoning from past experience. Thus, in seeking to 

 discover the direction whence a sound comes, it is usual for an observer to turn 



FIG. 284. End-bulbs from human conjunctiva (from Quain, after Longworth) : A, ramification of nerve- 

 fibres in the mucous membrane, and their termination in end-bulbs, as seen with a lens ; B, end-bulb, 

 highly magnified ; a, nucleated capsule ; 6, core, the outlines of its component cells not seen ; c, entering 

 nerve-fibre branching, its two divisions to end in the bulb at d. 



the head to the position in which the sound is heard loudest, and thus to form 

 an opinion as to the direction whence it comes. Errors of judgment as to the 

 direction are frequent, owing to the sound reflected from some object appearing 

 louder than that coming in a direct line from its source. It is said that when 

 there is total deafness" in one ear every sound seems to have its origin on the 

 side of the healthy ear. The quality as well as the loudness of a sound varies 

 according to the distance of its source. Thus, the lower tones die away earliest 

 as a sound recedes, bringing the overtones into undue prominence. The art of 

 the ventriloquist consists largely in altering the quality of the sounds he pro- 

 duces to imitate the quality they would naturally have if arising under the 

 conditions which he would lead his hearers to believe to be their origin. A 

 comparatively feeble sound near at hand may have the same quality as a loud 



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