OR, The Turn Out. 207 



horse do his sympathies extend, but for the meaner beasts, 

 such as the mule, ass, dog, &c. See — 



MEECHANT OF VENICE. 



ACT IV. SCENE I. 



Shy. ^Vhat judgment shall I dread, doing no wrong ? 

 You have among you many a purchased slave, 

 Which, like your asses, and your dogs, and mules, 

 You use in abject and in slavish parts. 

 Because you bought them. Shall I say to you, 

 Let them be free ? 



TKOILUS AND CEESSIDA. 



ACT V. SCENE I. 



Ther. "With too much blood and too little brain these two 

 may run mad ; but if with too much brain and too little blood 

 they do, I'll be a curer of madmen. Here's Agamemnon — 

 an honest fellow enough, and one that loves quails ; but he has 

 not so much brain as ear-wax ; and the goodly transformation of 

 Jupiter there, his brother, the bull — the primitive statue and 

 oblique memorial of cuckolds ; a thrifry shoeing horn on chain, 

 hanging at his brother's leg — to what form but that he is, should 

 wit, larded with malice, and malice, forced with wit, turn him 

 to ? To an ass, were nothing ; he is both ox and ass. To be a 

 dog, a mule, a cat, a fitchew, a toad, a lizard, an owl, a puttock, 

 or a herring without a roe, I would not care ; but to be Menelaus. 

 I would conspire against destiny. 



MEASURE FOR MEASURK 



ACT I. SCENE in. 



Claud. A horse whereon the governor doth ride, 

 AVho newly in the seaij that it may know 

 He can command, lets it straight feel the spur. 



COMEDY OF ERRORS. 



ACT III. SCENE II. 



Dros. Such claim as you would lay to your horse. 

 MUCH ADO ABOUT NOTHING. 



ACT III. SCENE V. 



DOGB. Well said, i' faith, neighbour. 



Verges. Well, God's a good man ; an two men ride of a horso 

 one must ride behind. 



