FIELD SPARROW. 



and in still another he proceeds on the diatonic instead of 

 the chromatic scale, thus : 



, Jfamguilh. 



1 



Jlcce.1. et cres. 



KOTbatabatb 



^V f c cf-^ 



Jf fltis is rem/n/'seent ^ 

 ZAh.che a me perdoh 



i 



and reminds us of the opening notes of the chorus in 

 Martha, beginning, 



Larghetto. 



Nor is this all the Field Sparrow can do. He frequently 

 gives us a perfect example of what the music teacher 

 would call the acciaccatura,* a succession of grace 

 notes, thus : 



Trjnquillo. jtfceel. et 



* Pronounced at-tchack-a-too-ra. 

 105 



