

.ccountably 



parativc studtnr \vill }ani '<< 

 IH n!iar and tli 

 r-oramorvto both aiid . ,b!y 



!i'; hope of j-'Ortlf- ;:,(. Mi. 



-speaking countri'-s nr.t '. that by 



it may be possible to cii- ;tl ii;atad 



i lav. The corresponding hop* of ?h- Iv^ai 

 tiine V)e possible u> formula'.* ; 



j'H' Tit, is not, I bHievp, an i<l: 'Ui.l 



f o 'oia{>arative etud^ of iiom&n and A!if?lu- 



neni? \viil earrv u> further toward sucb a ^u:. ! 



ARGUMENT 1\ THE COURT OF APPEALS 



U>tn(l-{>ainlf>d Photogravure from the Painting by P. Salzedo 



It is a most difficult thing to invest with startling interest a picture of a 

 court proceeding, but Mr. Sal/edo has exhibited his talent in a most effective 

 way by taking as the subject for one of his greatest ell'orts, a court-room 

 scene in England. The incident is an address by Counsel before a full bench of 

 judges, in which the portrayal is so perfect that it has called forth ejaculations 

 of admiration from every one who has examined the original. 



