AND NEW EDITIONS. 7 



THE DANCE OF DEATH: Illustrated in Forty-Eight 

 Plates. By JOHN HOLBEIN. Demy 8vo. Price 5s. 



A handsome and inexpensive edition of the great Holbein's 

 most popular production. It contains the whole forty-eight 

 plates, with letterpress description of each plate, the plate and 

 the description in each case being on separate pages, facing 

 each other. The first edition was issued in 1530, and since 

 then innumerable impressions have been issued, but mostly in an 

 expensive form, and unattainable by the general public. 



THE LITERARY HISTORY OF GLASGOW. By 

 W. J. DUNCAN. Quarto. Price 12s. 6d. net. Printed 

 for Subscribers and Private Cirvulatioi*. 



This volume forms one of the volumes issued by the Maitland 

 Club, and was originally published in 1831. This edition is a 

 verbatim et literatim reprint, and is limited to S50 copies, with 

 an appendix additional containing extra matter of considerable 

 importance, not in the original work. 



The book is chiefly devoted to giving an account of the greatest 

 of Scottish printers, namely, the Foulises, and furnishes a list 

 of the books they printed, as likewise rf the sculptures and 

 paintings ivhich they so largely produced. 



GOLFIANA MISCELLANEA. Being a Collection of 

 Interesting Monographs on the Royal and Ancient 

 Game of Golf. Edited by JAMES LINDSAY STEWART. 

 Post 8vo. Price 4s. 6d. 



A collection of interesting -productions, prose and verse, on or 

 relating to, tlie game of golf, by various authors both old and 

 recent. Nothing has been allowed into the collection except 

 works of merit and real interest. Many of the works are now 

 extremely scarce and, in a separate form, command very high 

 prices. It contains twenty-three separate productions of a great 

 variety of character historical, def f .riptive, practical, poetical, 

 humorous, biographical, etc. 



THE BARDS OF THE BIBLE. By GEORGE GILFILLAN. 

 Seventh Edition. Post 8vo. Price 5a. 



The most popular of the writings of the late Rev. Dr. 

 Gilfillan. The author, in his preface, states that the object of 

 the book was chiefly a prose poem or hymn in honour of the 

 poetry and the poets of the Bible. It deals with the poetical 

 side of the inspired word, and takes up the separate portions 

 in chronological order. 



