LANGUAGE, NUMBER, FORM, ETC. 177 



tions and Provincial Fractionalities or Divergencies ; 

 of Monologue and Dialogue ; and, finally, of Prosaic 

 Absolutism, or Free Utterance (iso) and of Poetic and 

 Musical Measured Harmony, or- Verbal Relativity, 



(650, .) 



217. Or, had we commenced in Morphology (the 

 Realm of Form, Geometrical), we should have been en- 

 gaged in dealing mainly with another set of Analogues, 

 echoing to the two sets just noticed ; with Blank 

 Space and the Inscribed Points, Lines, and Surfaces ; 

 with Point, Line, and Surface ; with Side-wise-ness 

 and Length-wise-ness ; with Uniformity (Integral) and 

 Pluriformity (Fractional) ; with Unequal and Equal, or 

 Equaled, Shapes ; and with Figure as the Absolutism 

 (i,ia), and Posture or Direction as the Relatism (e,m) 

 of Form. In Mechanics, we should have dealt with 

 Pull and Push and Reciprocating Action (Unismal, 

 Duismal, and Trinismal) ; in Astronomy with Centri- 

 petal, Centrifugal and Orbital Forces and Move- 

 ments ; in Optics (representative of Physics), with 

 Incidence, Reflection and Vision ; in Chemistry with 

 Synstasis (Primary Agglomeration), Analysis, and 

 Synthesis ; in Biology with Feminine, Masculine and 

 Copulative Phenomena ; in Sociology (and pivotally 

 in the Science of Government) with 1. CONVERGENT 

 INDIVIDUALITY (Social Unity or Mutuality represented 

 in some Pivotal Personage) ; 2. DIVERGENT INDIVIDU- 

 ALITY (Democracy, " The Sovereignty of the Indivi- 

 dual") ; and 3. Social Reconciliation (Pantar chatty, of 

 those two Opposite Principles), the Trinisrn, from the 

 two former as Unisin and Duism ; in Morals with 



