A HISTORY OF SUSSEX 



subjects and texts, eleventh to sixteenth centuries); Angmering (a. 'Doom,' 

 destroyed) ; Arlington (fourteenth to sixteenth centuries, including St. George 

 and St. Christopher, floral ornaments and floriated crosses) ; Arundel (consecra- 

 tion crosses, the Seven Deadly Sins and Seven Acts of Mercy, c. 1380, and a 

 fifteenth-century painting of the B.V. Alary) ; Battle (Scenes from the 

 Passion, &c., fourteenth and fifteenth centuries, destroyed) ; Beddingham 

 (figure and foliage on arch soffit, c. 1200); South Bersted (fifteenth-century 

 paintings on nave pillars, &c.) ; Binsted (St. Margaret of Scotland, a Trinity 

 tree, &c., remaining, and a series of Scriptural subjects, destroyed, c. 1 140) ; 

 Bishopstone (painting on a niche in porch, &c.) ; Bosham (Virgin and Child, 

 destroyed) ; Boxgrove (late twelfth-century scroll and pattern work, and floral 

 and heraldic designs on the vaulting, by the Bernardis, c. 1530); Broad- 

 water, Buncton, Burpham, Burton (figure of female saint on a window splay), 

 Bury, Chichester Cathedral (late twelfth-century figures and decoration on 

 arch to library and walls, capitals, &c., of Lady chapel ; paintings, similar to 

 those at Boxgrove, upon the vaulting of the latter, &c.) ; Chichester, St. 

 Olave's (a thirteenth-century series of figures and architectural ornamentation 

 on east wall destroyed) ; Bishop's Palace chapel (very fine early thirteenth- 

 century painting of the B.V. Mary and Child and consecration crosses) ; 

 Chiddingly ; West Chiltington (a very important series of late twelfth-, early 

 thirteenth-century and later paintings saints, the Incarnation, Nativity, and 

 the Passion, &c., with very beautiful architectural ornamentation) ; Clapham ; 

 Clayton (a valuable early twelfth-century series of a 'Doom,' &c.) ; Climping 

 (consecration cross, twelfth century, and the animals going into the ark, and 

 others of the thirteenth century) ; Cocking (the angel appearing to the 

 shepherds on a window splay early thirteenth century) ; Cuckfield (heraldic 

 and other colouring on nave roof) ; Ditchling ; Eastbourne ; Eastergate 

 (eleventh-century architectural and figure-work on north wall of chancel) ; 

 Elsted (eleventh- and early fourteenth-century fragments) ; Farnhurst (thir- 

 teenth-century figure-subjects) ; Findon (The Last Supper, early thirteenth 

 century) ; Ford (eleventh to seventeenth centuries, including a pre-Conquest 

 consecration cross, the ' Agony ' and a ' Doom ') ; Friston, West Grinstead 

 (St. Christopher, fifteenth century) ; Hardham (a most valuable series of 

 New Testament scenes, the history of St. George and other legendary 

 subjects covering the walls of the entire church all dating from the 

 commencement of the twelfth century la ) ; South Harting (fourteenth- 

 century paintings of St. Helena, St. Anne, and St. Lawrence, now covered 

 up) ; Hastings All Saints (a fifteenth-century ' Doom ' ; also other subjects 

 now destroyed) ; Henfield, West Hoathly, Hooe, Horsham (many paintings 

 of the thirteenth, fourteenth, and fifteenth centuries, almost all destroyed at 

 the restoration) ; Icklesham (Martyrdom of St. Thomas of Canterbury) ; 

 Iford ; Keymer (early twelfth century and later figures and decoration 

 destroyed) ; Kirdford (figure subject, destroyed) ; Mid Lavant, fifteenth- 

 century figure subjects, destroyed) ; Lewes Priory (twelfth-century frag- 

 ments) ; St. John's, Southover (painting of St. John the Baptist, destroyed) ; 

 Lindfield (St. Michael and B.V. Mary, destroyed) ; Lurgashall (fourteenth- 

 century heraldic shields) ; Lyminster, Maresfield (Martyrdom of St. 



" For a full account see Suit. Arch. Coll. xliv, 73. These paintings are evidently by the same Leives 

 Priory artists as those at Clayton, Westmeston, Plumpton, &c. 



354 



