DECORATIVE ART 281 



Plate 137. 



Fig. I. — Sea Dayak modification of the dog design. From a tatu-block in the 



Sarawak Museum. (No. 1054. 102.) 

 Fig. 2.— ,, „ (No. 1054.101.) 



Fig. 3.— „ „ (No. 1054.67.) 



Fig. 4.— „ „ (No. 1054.109.) 



Fig. 5.— „ „ (No. 1054.70.) 



Fig. 6. — ,, ,, But known as " scorpion " (/^a/a) pattern. From 



a tatu-block in the Sarawak Museum. (No. 1054.69.) 

 Fig. 7. — Barawan and Kenyah modification of the dog design, known as 



"hook" [kowit) pattern. From a tatu-block in the Sarawak 



Museum. (No. 1054.63.) 

 Fig. 8.— „ „ _ (No. 1054.75;) 



Fig. 9. — Kenyah modification of the dog design, but known as the "prawn" 



{orang) pattern. From a tatu-block in the Sarawak Museum. 



(No. 1054-89.) 



Plate 138. 



Fig. I. — Kayan three-line pattern {ida tdo) for back of thigh of woman of 



slave class. From a tatu-block in the Sarawak Museum. 



(No. 1 66a Brooke Low Coll.) 

 Fig. 2. — Kayan four-hne pattern {ida pat) for back of thigh of woman of 



middle class. From a tatu-block in the Sarawak Museum. 



(No. 1434.) 

 Fig. 3. — Kayan (Rejang R.) three-hne pattern {ida teld) for back of thigh of 



women of upper and middle classes. From a tatu-block in the 



Sarawak Museum. (No. 1054.2.) 

 Fig. 4. — Kayan (Uma Pliau) design for front and sides of thigh of high' class 



women. A = tushun ttiva, tuba root ; B =jalaut, fruit of Plukenetia 



cornictdata ; V> = kowit ^ interlocking hooks. From a tatu-block in 



coll. C. Hose. 

 Fig. 5. — Kayan design for front of thigh of woman of high class. X = tushun 



tuva ; B = dulang harok, bows of a boat ; C = ulu tinggang, hornbill's 



head; 'D = beHling bulan, full moons. From a tatu-block in the 



Sarawak Museum. (No. 1432.) 

 Fig. 6. — Barawan design for the shoulder or breast of men. From a drawing. 

 Fig. 7. — Design of uncertain origin, on the calf of the leg of an Ukit man. 



Plate 139. 



Fig. I. — Kayan (Rejang R.) design known as ida tuang or ida lima for back 



of thigh of women of high rank. Note the hornbill heads at the 



top of the design. From a tatu-block in the Sarawak Museum. 



(No. 166^ Brooke Low Coll.) 

 Fig. 2 — Kayan (Rejang R.) design ; compare with Figs. 5 and 11. From a 



tatu-block in the Sarawak Museum. (No. 166^: Brooke Low Coll.) 

 Fig. 3. — Long Glat hornbill design (after Nieuwenhuis). This is tatued in 



rows down the front and sides of the thigh. 

 Fig. 4. — Kayan (?) hornbill design, known, however, as the "dog without a 



tail" {tuang buvong asu). From a tatu-block in the Sarawak 



Museum. (No. 1054,8.) 

 Fig. 5.— Kayan (Rejang R.) tatu design known as "dog without a tail" 



{tuang buvong asti) pattern, for front and sides of thigh of women of 



high rank. From a tatu-block in the Sarawak Museum. (No. 166^ 



Brooke Low Coll.) 



