282 PAGAN TRIBES OF BORNEO chap. 



Fig. 6. — Kay an three-line and four-line design {ida telo and ida pat) for back 



of thigh of women of low class. From a tatu-block in the Sarawak 



Museum. (No. 1435.) 

 Fig. 7. — Uma Lekan Kayan anthropomorphic design {silong)^ tatued in rows 



down front and sides of thigh. 

 Fig. 8. — Kayan bead {lukut) design, tatued on the wrist of men. 

 Fig. 9- — 

 Fig. 10. — ,, ,, ,, From a tatu-block in 



the Sarawak Museum. (No. 1054,62.) 

 Fig. II. — Portion of Uma Lekan Kayan design for back of thigh of women of 



high rank (after Nieuwenhuis). 



Plate 140. 



Fig. I. Tatu design on the forearm of an Uma Lekan Kayan woman of high 



rank. From a rubbing of a carved wooden model in the Sarawak 



Museum. (No. 1398.) 

 Fig. 2. — Tatu design on the thigh of an Uma Lekan Kayan woman of high 



rank. From a rubbing of a carved wooden model in the Sarawak 



Museum. (No. 1398.) 

 Fig. 3. — Tatu design on the forearm of an Uma Pliau Kayan woman of high 



rank. P^ = beliling bulan, ^\\ xwoons', 'B = dulang harok, hows oi 2l 



boat; Q — kowit, hooks; 'D = daun wi, leaves of rattan; E = 



tushun tuva, bundles of tuba root. From a carved wooden model 



in the Sarawak Museum. (No. 143 1.) 

 Fig. 4. — Kenyah design, representing the open fruit of a species of mango 



{ipa olim), tatued on breasts or shoulders of men. From a tatu-block 



in the Sarawak Museum. (No. 1054.14.) 

 Fig. 5. Kayan (Baloi R. ) kalang kowit or hook design for back of thigh of 



woman of high rank. From a tatu-block in the Sarawak Museum. 



(No. 1054.54.) 



^ Plate 141. 



Fig. I. Design on the hand of a Skapan chief tatued in the Kayan manner. 



From a drawing. 

 Fig. 2. — Design on the arm of a Peng man. From a drawing by Dr. H. Hiller 



of Philadelphia. 

 Fig. 3. — Design on the arm of a Kahayan man. From a drawing by Dr. H. 



Hiller of Philadelphia. 

 Fig. 4. — Design on the forearm of a Lepu Lutong woman. From a drawing. 

 Fig. 5. — Design on the forearm of a Long Utan woman. From a rubbing of 



a carved model in the Sarawak Museum. (No. 1430.) 

 Fig. 6. — Design on the thigh of a Long Utan woman. From a rubbing of a 



carved model in the Sarawak Museum. (No. 1426.) 

 Fig. 7. — Kenyah design, representing the durian fruit {usoitg dian), tatued on 



the breasts or shoulders of men. From a tatu-block in the Sarawak 



Museum. (No. 1054.17.) 



Plate 142. 



Fig. I. — Tatu design on the forearm of a Kalabit woman. From a drawing. 

 Fig. 2. — Tatu design on front of leg of a Kalabit woman. C = betik lulud, shin 



pattern. From a photograph. 

 Fig. 3. — Tatu design on back of leg of a Kalabit woman. A = beHk buah, fruit 



pattern ; 'R — betik lawa, trunk pattern. From a drawing. 

 Fig. 4. — Tatu design on front of leg of the same Kalabit woman. V> = betik 



karawin ; 'Ej = ujat batu^ hill-tops. From a drawing. 



