10 



Lucas Cranach (1470-1553) reprefented (Plate 21) fpaniels, and a 

 ravage-looking wolf-dog. The dogs of Lucas van Leyden (1516, 

 Plate 22) fhow the bull-dog, the pointer, the fetter, and an Italian 

 greyhound. Burgkmair (Plate 23), in the triumph of Maximilian, 

 depicted a lion-dog and a fpaniel, very much like a Newfoundland. In 

 Plate 24 are a harrier and a black and tan terrier, by Robetta, 1520; 

 a bloodhound by Montagna. 



Urs Graf, or the matter known alfo by the name of Gamperlein, 

 introduced many dogs in his Paffton, printed by Knoblouch, Strafburg, 

 1507 (Plates 25 and 26). Martin de Vos (1579-1586) reprefented (Plate 

 27) greyhounds, fpaniels, King Charles's, &c. But the firtt appearance 

 of dogs, beautifully drawn, in an Englim book, may be traced to George 

 Turberville's Noble Arte of Venerie, or Hunting, London, 1576 (Plate 28), 

 in which is a maftiff bitch with her pups, a black or Swifs fox-hound 

 (Plate 29) ; harriers, retrievers, a maftiff dog (Plate 30) ; in the frontifpiece 

 of the book, here reproduced in fac-fimile, a whole pack of fox-hounds 

 (Plate 31). Londerzeel (1586) fhows a water- fpaniel ; and Mair (1501) 

 Scotch terriers. Among German matters, Hans Shaeuflein (Plate 32) 

 reprefented a wolf-hound, a fetter. 



Why R. Pynfon introduced a bear-baiting, feveral times reproduced, 

 in the Antibqfficon (London, 1521, in 4to.), is eafy to guefs in the hatred 

 which even grammatical difputes were able to produce in the pure 

 fcholaftic era. The poor bear is afTailed here (Plate 33) by a hoft of 

 maftiffs, and perhaps of bull-dogs, which the artift has not very faithfully 

 reprefented. 



Early Italian artifts defigned few dogs in their works. One of the 

 large wolf-hounds of Nicoletti da Modena (1536, Plate 4) is reprefented 



