§55 XVI. PURPLE. LILAC. 123 



(See Blue, Yellow, Orange, Red, Crimson, Purple-slate, Blue- 

 green, Black, White, Grey, Brown, Chesnut, Drab, Stone- colour.) 



1. Blue-purple and gold harmonise. 



2. Blue-purple and scarlet harmonise, but wanting. 



3. Blue-purple and lilac wanting by analogy. 



4. Blue-purple and buff wanting. 



5. Blue-purple and horsechesnut wanting. 



6. Blue-purple and chesnut wanting. 



7. Blue-purple and canary wanting and cold. 



8. Blue-purple and green discord. 



Pink-purple, or Red-purple, or Mulberry-colour. 



1. Mulberry-colour and blue wanting. 



2. Mulberry- colour and orange harmonise (with yellow rather cold). 



3. Mulberry-colour and gold rich harmony. 



4. Mulberry-colour and green discord. 



Claret-purple. 



1. Claret-purple and gold rich harmony. 



2. Claret-purple and orange harmonise. 



3. Claret-purple and yellow wanting, the yellow is too cold. 



4. Claret-purple and blue wanting by analogy. 



5. Claret-purple and red wanting by analogy. 



6. Claret-purple and black wanting. 



7. Claret-purple and green discord. 



Brown claret -purple, or Maroon (properly chesnut, Marron, but changed 

 by custom.) — Mr. Field says maron or marrone " is com- 

 posed of black and red, or black and purple, or black and 

 russet, or with black and any other denomination of pigments 

 in which red predominates." Maroon has nearly the same 

 conditions as the two last. 



Lilac. (See Blue, Yellow, Orange, Buff, Gold, Purple, Blue-purple, 

 Slate, Blue-green, Black, White, Grey, Brown, Chesnut, Drab, 

 Stone- colour.) 



1. Lilac and gold harmonise. (See Gold; and see Lilac in Sect. 



XVII) 



2. Lilac and canary poor. 



3. Lilac and straw-colour poor. 



4. Lilac and scarlet harmonise, but lilac is better with cerise. 



5. Lilac and cerise harmonise. 



6. Lilac and crimson harmonise, but overpowered by the crimson. 



7. Lilac and horsechesnut (or brown) wanting. 



8. Lilac and green discord. 



