890 



INDEX. 





Architecture, Errors of, in the present age, 354. 



To copy even from good models of, requires judgment, 329. 

 Coloured, 74, 275. 



J5ome errors in, 341, 349, 351, 352, 354. 

 Each style of, borrowed from an older one, 290, 302. 

 Figures to be good in, 235. 

 Gradual debasement of, 305. 

 Improvements in, 354. 

 Mouldings copied from real flowers or natural objects in, 216, 



225, 227, 329. 

 Pointed, not exclusively nor originally Christian, 191, 292. 

 Styles of our northern, 331. 

 Few styles of, invented, 289. 

 Archivolt, Figures in an, 289. 

 Aristotle on harmony of colours, 77. 

 Armour of figures of Charles Martel and others, 226. 

 Arrangement affects colours, 111. 

 Arrows and balls hit the mark without any theory, 6. 

 Art applied to manufacture, 171. 



Works of, not under the same conditions as those of nature, 14. 

 A bai-barian's idea respecting, 359. 

 Buildings are works of, not of nature, 14. 

 The best judges of, not always artists, 357, 358. 

 Eeligious subjects not the only ones for high, 319. 

 encouraged by patronage, 322. 

 Artists of Italy borrowed from each other, 319. 

 Aspiration, so-called system of, 291. 

 Assyrian coloured designs, 153. 

 Athenaeum, Just remarks on glass in the, 44. 



Babbag-e's experiments on coloured papers for writing, 160, 164. 

 Balance of colour (see Colour), 59, 77. 

 Bas-reliefs, Errors of, 210. 



Perspective in, 211. 



Stone and metal suited to, not to pictures, 211, 212. 

 Beautiful, Apparent prejudice of some against the, 25. 

 is of all styles, the, 326. 

 Attempted definitions of the, 327. 

 and good, Ka\os kcu ayados, 217. 

 Beauty does not depend on costliness, or variety, 357. 

 Bedstead with spikes, 237. 

 Belgium, painted glass of, 28, 42, 54, 94. 

 Skill in design in, 201. 

 Wood-carving of, 201. 

 Beneficial result on public taste from the Exhibition of 1851, 19 J. 

 Benvenuto Cellini injuriously influenced by French taste, 202. 

 Bible and poetry, subjects from, suited for high art, 234. 

 Bird's-egg-blue, 105 (note). 

 Bistre shades in early painted glass, 33. 

 Black for combination, 126, 142 — 144. 

 a ground good, 108, 109. 

 seldom fit for a ceiling, 108. 

 not in nature, 13. 

 Black and blue, 71. 



red, bad effect of, C2, 63, 138. 



green, bad effect of, 62. 



white said not to be colours, 71. 



not confounded, as accidental colours, 56. 



