INDEX. 391 



Black and red to form brown, 70. 



white, 63, 67, 71, 75, 88, 89, 126, 142, 144. 

 by contrast sets off white, 63, 75. 

 next to white set off by it, 99. 



and yellow or orange combine well, 74, 94, 95, 108, 115. 

 Blue, the supposed colour of humility, 291. 



appears to recede from the eye in coloured glass, 12. 

 in a ceiling, 12. 



combination, 113 — 115, 131 — 136. 

 and orange in the same quantities, 147. 

 not only in the sky in nature, 13. 



and red together look purple, and require yellow, 9, 94. j 



and yellow, the three primaries used of old in England, 24. I 

 three primaries, 63. 

 Proper proportions of, vary, 147. 

 and green, difference of. with red, 62. 



and yellow, 100. 

 a contrast to red in a different degree from blue to yellow, 74. 

 and yellow with red very different from green with red, 60. 

 by candlelight should be of a bright tone, 97, 101, 110. 



appears nearly black, 97, 101, 110. 

 interlaced with white looks lighter, 76. 

 and orange harmonise well, 74. 



lighted up by one of bright tone, or by white, or by green, 97, 101. 

 sets off red, being a contrast to it, 62. 



and yellow compose green, but do not when placed together appear green 

 to the eye, except in certain cases, 61. 

 Bohemia, Glass of, rich in colour, faulty in form, 181. 

 Boot, copied for a box of matches, 231. 

 " Border" gardens, 364. 

 Bottles and utensils of bad form, 232. 

 Bourges, Glass of, 53. 

 Box paths in a garden, 370. 

 gardens at Seville, 370. 

 Bracket, the Moorish, excels its Indian prototype, 304. 

 Bricks capable of being highly ornamental, 342, 352. 

 British Museum, coloured ceiling, 152. 



colour of the staircase, 22. 

 ceilings, 152. 

 Bronze, Our deficiencies in, work, 202. 



and wood, Union of, 219. 

 Browns, buff, and others, 112. 



in combination, 128, 145. 

 Buff, 112, E 117, 161. 



Building, a work of art, not of nature, 14, 18. 

 Burnet's remarks, 5, 76. 

 Busts of Koman time of coloured marbles, 281. 

 Byzantine coloured ornaments, 154. 



features in early glass, 34, 35. 

 Greeks. Art among the, 27 (note). 



in France. Influence of the, 33, 34. 

 influence in Britain, 34. 



cast off early in France, 99. 

 mosaicists caused the revival of art in Italy, 312 — 318. 



Cabinets, rich and misshapen, 219. 

 Cairo. Coloured patterns of children at, 21. 

 Candlelight. Colours by (see Bine), 97, 101, 104, 111. 



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