392 INDEX. 



Candlestick by M. Angelo, 223. 



Candlesticks of bad designs, 222, 223, 230, 231. 



Canopied windows, 43. 



Caprice in form or decoration inconsistent with real feeling for the beautiful, 186. 



Carpets, Dutch, 25. 



Persian and Turkish, 20, 108, 110. 

 Flowers on, 215. 

 Mussulapatam, 144. 



Pattern on, of less importance than colour, 20. 

 Gothic tracery on, 216. 

 Caryatid and other figures from Egypt, 240, 298. 

 Caryatides and other figures not well adopted by the Greeks, 240. 

 Celtic coloured designs, 156. 

 Censure of other opinions not intended, 10. 

 Chairs. Crimson a rich colour for, 110. 

 Chandeliers and candlesticks badly designed, 230. 

 Chartres Cathedral. Statues of, 199. 

 Chevron, or zigzag, 301. 

 Chevreul on colour, Practical work of, 91. 



successive and mixed contrasts, 103. 

 Chimneys of our houses, 339. 

 Chimney pots. No vases to be put for, 228. 

 Chinese carving, a work of ingenuity, not of good art, 236. 



taste deficient in form and design; their colour is better, 23. 

 coloured designs, 156. 



knew the compass and gunpowder long before we had them, 304. 

 imitation good, but that is not art, 328. 

 Christian art at first rude, 306. 



early, Style of, 307, 312. 



in Italy the oldest (which was lost), and that revived at a later 



time, 316. 

 did not pursue its independent course in sculpture as in paint- 

 ing, 200. 

 paintings in the catacombs, 307, 309. 

 sculpture, its high position before the Renaissance, 200. 

 Christians adopted the Tan for the cross, 308. 

 borrowed from Pagan art, 307 — 310. 

 Frescoes more employed than sculpture by the early, 309. 

 Churches, The architecture of the oldest, not invented by the Christians, 304. 



in England, Good modern, 354. 

 Churchwarden's white wall, 61. 

 Cinque cento, faults and merits of the, 353. 

 Circumlitio, meaning of, 278. 

 Classes, All, should be educated in taste, 167, 169. 



Climate of England makes indoor recreation for the working classes indis- 

 pensable, 195. 

 Clocks in France of bad design, 232. 

 Clubs in London, 347. 

 Coins, as works of art, 181, 184. 

 Colossal figures, 239, 240. 



Colossi, Some Greek, larger than any in Egypt, 239. 

 Column used by the Romans for a vertical line, 239. 

 Columns, Coloured, part of coloured architecture, 341. 



and pilastres fixed against walls of a two-storied building, 341. 

 Rusticated, and with square blocks, 351. 

 Statues on, 238. 



Roman taste, 238. 

 Twisted, only tolerable when small and supporting light weight, 349. 



